Billy Quinn 1954: UBU on The Balcony
Billy Quinn 1954: Preliminary Drawing for 'Ambidexterity and Infrathin in the Victorian Public Imagination'
Billy Quinn 1954: Drawing of Jarry and Dolly (Pre-Ozempic) in McSorley's Discussing the Election and the Urgent Need to Revive UBU in Keeping with Recent Developments
Billy Quinn 1954: Detailed Preparatory Drawing of 'Giant Silverfish Crossing the Alps'
Billy Quinn 1954: The Man from from DADA, DDA
Billy Quinn 1954: Lost Preparatory Rough-ish Sketch for the Radical Novemberist Linguini Fingerist Painting
Billy Quinn 1954: It's Really Not
Billy Quinn 1954: Jarry and Dolly, Both Wearing Fleece, Enjoying Sharing a G&T (Ice and a Slice)
Billy Quinn 1954: "I’m a Very Compassionate Person (with a Very High IQ) with Strong Common Sense"
Billy Quinn 1954: Ubu Empalé
Billy Quinn 1954: "After us the Savage God" _ Ubu Cocu (Ubu Cuckolded)
Billy Quinn 1954: UBU at the 'Make Art Great Again' Convention in Madison Square Garden, 2024
Billy Quinn 1954: Fully Dressed, Nude, Gender-Fluid (Marcel/Rrose) Artist About to Descend by Elevator (Staircases Being So Last Century)
Billy Quinn 1954: But, All Art Is Theft, and Genius Is a Matter for the Police
Billy Quinn 1954: Marcel, James, and Dolly, Visiting a Temporarily Relocated McSorleys
Billy Quinn 1954: Sublime Stuttering Indifference Personified
Billy Quinn 1954: Gothic Revisited
Billy Quinn 1954: Marcellus Commodius Vicus the Third
Billy Quinn 1954: Super Chickenwoman
Billy Quinn 1954: UBU Chez Nous
Billy Quinn 1954: Silenus and Bacchus
Billy Quinn 1954: The History of Tissue Products
Billy Quinn 1954: Sodom and Gomorrah
Billy Quinn 1954: Contre Temps
Billy Quinn 1954: What About the Children?
Billy Quinn 1954: And Breathe
Billy Quinn 1954: Rack Liked to Think That She Had, More or Less, a Normal Childhood
Billy Quinn 1954: Marcel Mac Duchamp, A Sort of Irish Magic, A.I. Generated, Realism