Billy Quinn 1954:
She's Got Bette Davis Eyes
Billy Quinn 1954:
Each One of Them, both Individually and Collectively, Outstanding in Their 'Chosen' Field
Billy Quinn 1954:
Clones (Dolly and Marcel)
Billy Quinn 1954:
Rrose Sélavy, Dolly, and James Joyce (at Home) Watching the Throuple Orgy on Bridgerton
Billy Quinn 1954:
Behind Every Great Gender-Neutral Sheep
Billy Quinn 1954:
Marcel and Dolly, Double Selfie
Billy Quinn 1954:
James and Dolly 'Going Native' Near the Gap of Dunloe, 1991
Billy Quinn 1954:
Suspected 'Infrathin' Sighting (disputed), Mc Sorley's Alehouse, Manhattan, 1922
Billy Quinn 1954:
Dolly and Marcel, in Infrathin, Playing with, Supposedly Empty, Negative Space
Billy Quinn 1954:
Marcel and Dolly (Mirror Work)
Billy Quinn 1954:
Rrose Sélavy, with Dolly (over Rroses' Right Shoulder) and the Leaning Tower of Baah-bel
Billy Quinn 1954:
Rrose, Marcel, Dolly and James
Billy Quinn 1954:
Fraternal/Sororal
Billy Quinn 1954:
Dolly Contemplating the Combined Myths of 'Dominion' and 'Man Custard'
Billy Quinn 1954:
Dolly Concurs
Billy Quinn 1954:
Marcel and Dolly (in Ewe mode, pronouns 'she and 'her') Listening to John Berger's Seminal 'Ways of Seeing' (1972), from the BBC
Billy Quinn 1954:
Marcel Duchamp, Legless Rrose Selavy, and Dolly (in Ram Mode, Pronouns 'He' and 'Him') Watching a Bio-Documentary on the Painter John Martin (1789 - 1854) on the Discovery Channel
Billy Quinn 1954:
The Stuffing Debate (Le Débat sur la Farce)
Billy Quinn 1954:
Going 'Home' Was Always a Bit of a Trauma for Dolly
Billy Quinn 1954:
Dolly and Marcel Binge-Watching All 7 Episodes of 'Baby Reindeer' in the Green Room
Billy Quinn 1954:
Triskelion Marcel and Bifurcating Dolly Hit the Catwalk for Lanech 2024 (Lahinch)
Billy Quinn 1954:
Dolly is Modelling a Radiation-Proof Hazard Hat in Cotton-Candy Spun 100% Merino Wool, with Silver Lining (invisible detail)
Billy Quinn 1954:
Dolly (back row, far left) Looking Uncharacteristically Sheepish
Billy Quinn 1954:
M. with Dolly Down the Club (Lahinch)
Billy Quinn 1954:
In the Wings (Lahinch) with Dolly
Billy Quinn 1954:
Rrose Sélavy with Dolly (second from left, top row) in 'The Poor Little Lamb that Had Lost His/Her/Their Way'
Billy Quinn 1954:
For Dolly With Love
Billy Quinn 1954:
Atmosphère! Atmosphère! Est-ce que j'ai une gueule d'atmosphère ?
Billy Quinn 1954:
Dolly at the Lahinch Afterparty
Billy Quinn 1954:
Acres of Cute (Between Reps)
