Billy Quinn 1954:
'Hysteria', the New Fragrance from Lanech
Billy Quinn 1954:
Self Portrait as a Gender Neutral L.G.B.T.Q.I.A.H.I.V+O.A.P, with ADHD and PTSD, Alien, Even.
Billy Quinn 1954:
The 'Lanech', 3-person UniCoat
Billy Quinn 1954:
Marcel, James and Rrose Modelling the Lanech 3-person UniCoat©
Billy Quinn 1954:
Rrose Endorses 'Hysteria' Parfum
Billy Quinn 1954:
Lanech 'Hysteria'
Billy Quinn 1954:
The Critic (After Rodin) and the White Cube
Billy Quinn 1954:
All Art is Theft
Billy Quinn 1954:
It's Not Your Frock, My Dear
Billy Quinn 1954:
Hysteria
Billy Quinn 1954:
Pas de Bourrée
Billy Quinn 1954:
The Door
Billy Quinn 1954:
Shiva and Parvati, Nepal, 17th Century
Billy Quinn 1954:
Plate 84: Symbola aureae mensae, Michael Maier, 1617
Billy Quinn 1954:
Plate 62: Atalanta fugiens, Michael Maier, 1618
Billy Quinn 1954:
Michael_Maier_portrait
Billy Quinn 1954:
Marcel and Rrose - Bifurcation is the Key
Billy Quinn 1954:
En Pointe Too
Billy Quinn 1954:
En Pointe
Billy Quinn 1954:
Alecto (Unceasing), Tisiphone (Avenging Murder), and Megaera (Grudging)
Billy Quinn 1954:
Hail Queen of Heaven, The 'Ocean Star'
Billy Quinn 1954:
6 Brand Spanking New Pissports
Billy Quinn 1954:
Ruin's Infrathin Passport
Billy Quinn 1954:
Rack's Infrathin Passport Has Arrived at Last!
Billy Quinn 1954:
A Giant Silverfish, Dolly the Cloned Sheep, Chickenman and Chickenwoman, James Joyce, Marcel Duchamp, Rrose Sélavy, and (of course) Rack and Ruin Walk into a Bar
Billy Quinn 1954:
Denti Alligator in 'Ulysses'.
Billy Quinn 1954:
Not Forgetting Goya's Beloved Giant Silverfish
Billy Quinn 1954:
All the References to Chickens in 'Ulysses' by James Joyce, in Higher or Lower Case, and in Order of Appearance Alphabetically, as sorted by Simon Popper
Billy Quinn 1954:
Trinity
Billy Quinn 1954:
Doodle Do
