Billy Quinn 1954:
Interior With 'Sometimes Marcel Bifurcated'
Billy Quinn 1954:
In The Office, Down the Club
Billy Quinn 1954:
Down The Club
Billy Quinn 1954:
In 1912 Duchamp Attended a Performance of Roussel's 'Impressions of Africa' with Picabia and Apollinaire
Billy Quinn 1954:
Yes, Marcel Saw the Resemblance But Decided to Ignore It
Billy Quinn 1954:
Marcel (For Lanech), 2023
Billy Quinn 1954:
Marcel 1966 (ish)
Billy Quinn 1954:
Marcel and His Younger Self, Modelling Exclusively for Lanech, 2023
Billy Quinn 1954:
Holy Chrism- Behind The Sacred Screen (Beetle Juice)_ In Situ
Billy Quinn 1954:
The Gallery After the Flood (with 'It Was The First Cross-Species Synchronised Swim Event of its Kind')
Billy Quinn 1954:
Mama and DADA (After the Flood)
Billy Quinn 1954:
Location, Location, Location
Billy Quinn 1954:
Marcel and James, a Prelude to the Fight of Last Century
Billy Quinn 1954:
Marcel Cubed
Billy Quinn 1954:
What's Not To Love?
Billy Quinn 1954:
James Cubed
Billy Quinn 1954:
Dolly (Younger) Cubed
Billy Quinn 1954:
Various Giant Silverfish (With Books) Cubed
Billy Quinn 1954:
Chickenman (Men) Cubed
Billy Quinn 1954:
Marcel Marcelled
Billy Quinn 1954:
Dissolving Doppelgängers
Billy Quinn 1954:
Towards Infrathin
Billy Quinn 1954:
Painting From Life
Billy Quinn 1954:
Behind Every Great Man
Billy Quinn 1954:
Rrose Could Deadpan with the Best of Them
Billy Quinn 1954:
James Loved When Marcel Became Completely Subsumed by Rrose Selavy
Billy Quinn 1954:
I'd Like To Teach the World to Sing
Billy Quinn 1954:
Marcel and James, with Goya in the background (looking out over Mr. Joyce's elbow), doing the Chicken Dance, with the Inmates, and Chickens, in Charenton
Billy Quinn 1954:
Dolly and Marcel, at Home, Watching 'Dr. Strangelove or How I Learned to Stop Worrying and Love the Bomb'
Billy Quinn 1954:
And the Word Was BOT
