Billy Quinn 1954:
Crossbreeding (Kruisfokkerij)
Billy Quinn 1954:
The Identical Twins
Billy Quinn 1954:
Looking Back
Billy Quinn 1954:
The Old Switcheroo
Billy Quinn 1954:
Refracted Silverfish
Billy Quinn 1954:
Self-Portrait with Silverfish, Etretat
Billy Quinn 1954:
Drawing attributed to Leonardo (disputed)
Billy Quinn 1954:
Beurs van Hendrick de Keyser, Contemporary Monument
Billy Quinn 1954:
The Opening Bell
Billy Quinn 1954:
A Renowned Dutch 'Giant Silverfish' Breeder (Een Gerenommeerde Nederlandse Reuzen Zilvervis Fokker)
Billy Quinn 1954:
The Sisters
Billy Quinn 1954:
Coming Soon
Billy Quinn 1954:
Silverfish Crossing the Alps (at the Saint-Bernard Pass)
Billy Quinn 1954:
Liberté, égalité, fraternité
Billy Quinn 1954:
Earwig Breeding
Billy Quinn 1954:
One's (previous) Private Stash
Billy Quinn 1954:
Like a Giant Slider Puzzle
Billy Quinn 1954:
Working on 'Slab' and 'Stew-dio' in My Amsterdam Studio
Billy Quinn 1954:
An 'About-Towner'
Billy Quinn 1954:
The van Berkeley Sisters were Immoderately Protective of Their Silverfish Brethren, Even From an Early Age
Billy Quinn 1954:
Tales From the Slab (The Studio Lab)
Billy Quinn 1954:
The Rumour That Louis 16th Had an Irish Silverfish 'Favourite'
Billy Quinn 1954:
Ruin (left) and the Young Alfred E. Neuman (right) Do Lunch at Cipriani in 1964
Billy Quinn 1954:
(Welsh) St Patrick Driving the Snakes Out of Ireland
Billy Quinn 1954:
Beginning to Work on 'The Primate of All Ireland'
Billy Quinn 1954:
Stew-dio (With a Smidgin of 'Interspecies How's Your Father?')
Billy Quinn 1954:
Amongst His Treasures (Souvenirs)
Billy Quinn 1954:
In Passing: They Was the Innocent Victim of a Senseless Drive-by Prepuce Restoration
Billy Quinn 1954:
“I sometimes think we must be all mad and that we shall wake to sanity in strait-waistcoats.”
Billy Quinn 1954:
Still Life with 'Aliens'
