Billy Quinn 1954:
The 'History' Painter
Billy Quinn 1954:
A Possible Challenge
Billy Quinn 1954:
'Cold Lovers'
Billy Quinn 1954:
'The Clouds'
Billy Quinn 1954:
For Imago
Billy Quinn 1954:
Clondalkin
Billy Quinn 1954:
Childhood setting
Billy Quinn 1954:
Potential Orphans
Billy Quinn 1954:
Remembering Intimacy and Abuse
Billy Quinn 1954:
I Think That When The Anger is Gone
Billy Quinn 1954:
Morning's Minion
Billy Quinn 1954:
The Round-Tower in Clondalkin, was founded in the 7th century by St Mochua, the long dead Patron-Saint of Starbucks.
Billy Quinn 1954:
Sacred Plastic Moo-Cows Debating 'Offsetting Emissions' Strategy.
Billy Quinn 1954:
Hell is Other People's DNA Extensions (On inscrutability).
Billy Quinn 1954:
AstraZeneca
Billy Quinn 1954:
Taken on Christmas Eve, 1960, in the Signal Cabin at Clondalkin, Co. Dublin, funged from the 'National Library of Ireland on The Commons', with no copyright restrictions
Billy Quinn 1954:
On Universal Innocence and The Forgiveness of Freckles
Billy Quinn 1954:
On Crunching Numbers
Billy Quinn 1954:
That Feck-und Soil
Billy Quinn 1954:
Abandoned Property
Billy Quinn 1954:
Time's Arrow Reprise
Billy Quinn 1954:
Teeth, with Pope Soap on a Rope
Billy Quinn 1954:
Anne of a Thousand Holy Rollers
Billy Quinn 1954:
Indentured Servitude
Billy Quinn 1954:
That Leaning Tower of Hubris, even
Billy Quinn 1954:
Drimnagh Castle
Billy Quinn 1954:
The Mother Lode
Billy Quinn 1954:
Gougane Barra : Vandaag, eten wij in de Franse Stijl (note the small Evian glasses with small amounts of Bordeaux)
Billy Quinn 1954:
On Polishing Thirds (You have to say it with an Irish Accent)
Billy Quinn 1954:
I Like the Pegs on the Line
