mharrsch:
One of three reliquary busts of female companions to the virgin martyr Saint Ursula South Netherlandish Brabant possibly Brussels 1520-1530 CE Oak with paint and gilding
mharrsch:
Mourner in The Lametation transformed into painting in the style of Van Gogh with Airburshing added with Topaz Glow
mharrsch:
Reliquary Bust of Saint Juliana from the convent of Saint Giuliana at Perugia Italian 1376 CE
mharrsch:
Closeup of a mourner in The Lamentation originally part of an altarpiece at the Benedictine monastery at Sopetran, northeast of Madrid, Spain 1480 CE (3)
mharrsch:
Closeup of a mourner in The Lamentation originally part of an altarpiece at the Benedictine monastery at Sopetran, northeast of Madrid, Spain 1480 CE (2)
mharrsch:
Closeup of the Madonna and crucified Christ in The Lamentation originally part of an altarpiece at the Benedictine monastery at Sopetran, northeast of Madrid, Spain 1480 CE
mharrsch:
The Lamentation originally part of an altarpiece at the Benedictine monastery at Sopetran, northeast of Madrid, Spain 1480 CE
mharrsch:
The Berg Weiler Altarpiece German Swabia 1470 CE from the castle chapel of Burg Weiler near Heilbronn
mharrsch:
Yet another one of three reliquary busts of female companions to the virgin martyr Saint Ursula South Netherlandish Brabant possibly Brussels 1520-1530 CE Oak with paint and gildin
mharrsch:
Closeup of a mourner in The Lamentation originally part of an altarpiece at the Benedictine monastery at Sopetran, northeast of Madrid, Spain 1480 CE
mharrsch:
Another one of three reliquary busts of female companions to the virgin martyr Saint Ursula South Netherlandish Brabant possibly Brussels 1520-1530 CE Oak with paint and gilding