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22-071 Fenwick 50th collection needs_FBheader
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6. George Mason University faculty members (left to right) John O’Connor, Lorraine Brown, and Michael Sundell examine FTP materials in Fenwick Library, 1974
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5. FTP materials in original 1930s packing crates in Fenwick Library, 1974
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49. Sketches Relative to the History and Theory, But More Especially to the Practice of Dancing, 1805
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8. Set design for the George Mason University Theatre of the First Amendment play, The Memorandum, 1999
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18. “I Will Mention the Loving Kindness,” October 27, 1874
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29. Songs of the Depression
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13. Portraits of Arena Stage founder Zelda Fichandler, circa 1950, and photograph of Fichandler and others moving out of one of Arena Stage’s early venues, nicknamed the “Old Vat,” circa 1959
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7. Ticket stubs and envelopes.
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4. 35 mm color slide of original poster advertising the FTP production Flight: A Living Newspaper Play, 1980s
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3. John Houseman Oral History Cassette
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2. Federal Theatre Cards
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10. Official FTP photographs from a Los Angeles production of Awake and Sing
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1. Original set design sketches for the FTP play Cherokee Nights
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34. Nine : the Musical, 1983
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32. West Side Story souvenir program featuring the characters Anita and Bernardo, 1957
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11. Script in Yiddish for the FTP production of Awake and Sing by Clifford Odets
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43. Portrait engraving of opera singer Pauline Viardot (Garcia), circa 1839
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26. Slave Songs of the United States, 1867
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47. Isadora Duncan, 1979
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42. Members of the Agora Society, the George Mason University student theatre club, perform Beggars Opera in the North Campus auditorium, September 26, 1974
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52. Everybody Dance Now, 2009
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33. Photograph of “Casting of Grease Performing on Stage,” October 30, 1975
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21. George Mason University dance students in a ballet rehearsal, April 16, 1974
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27. The Lord of the Rings Symphony playbill, 2005
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24. [Collection of 41 Original Set and Costume Designs for Ballet and Theatrical Productions], 1944
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28. Music and Dance, 1994
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36. Photo of a Living Stage Theater Company “Jam,” performed in Tucson, Arizona for an audience of deaf young people, circa 1980s
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16. Poem from James Perrin, a participant in a Living Stage workshop at Lorton Prison, 1981
