● portfotolio ● albums of Gregory Euclide

Progress Gallery Paris, France 2013

Prints

Europe Erased

Corollaries Tour

Martha Otero Install

McSWEENEY'S 43

Part of a twisting i built into a new narrative of protection

In what’s falling i found familiar

Assessing your inability to predict the stability

Unable to walk above my knowing

Broken along the rolling with our disc turning you under

Fuzzy hold on the cycle with no mouth to name

In pause of exploring your preserved places

Meaning i learned my false floating from propped up modes

There are paths in place to prevent your dreams of a succession story

Suspened in variety and tied to everything beyond the machine

Martha Otero Gallery Show

then wanting came to mean touching without (the land) was normal

Album Art for Corollaries by Lubomyr Melnyk

Sumi works

When all the fields are white layers leaving night cut into (or out of) my breath

Drop surface layers pushed ground further from my face

put my pressing into a ravine where i paused to return year after year

Wild & Away

Minnesota Beatle Project Vol. 4

New Small Exercises

what kept you at bay allowed me to feel this way

my possible bending retreated with what was taken yet unused

I know your fences are pools passing through meaning

Gregory Euclide @ David B. Smith Gallery

Laid Down & Wiped Slowly Away

All of your diamonds slipped green points into the ease of not knowing

Accessing the older vignettes manipulated by desire

Diverted from the valley and restored for your holiday

My lines push through the grid and evaporate on the over under

Slid down my front as the rust from lands new soaking

Laid Down & Wiped Slowly Away Process

Laid Down & Wiped Slowly Away

Observing only the ease of my own slipping toward your unknown

Seed

Laid Down & Wiped Away Portfolio

as if muting the land was part of knowing

Laid Down & Wiped Away Press

Laid Down & Wiped Away - A Limited Edition Print Release

Untitled 3

Untitled 2

Untitled 1

Mineral

Video Documents

Studio Progress

There's No Place Without Foam

Nevada Museum of Art

Nature Out There

Gregory Euclide MFA Mid-program 2007

what kept you at bay allowed me to feel this way

Studio Progress February 6th - New Relief Work

New Work Jan 5, 2012

Scoring a chorus in the crests that could not be owned

NEW WORK

Flat Studies

I'm in the better part of your worn down making

Toledo Museum of Art Installation for Small Worlds (oldest to newest)

Gregory Euclide Book

What softened clipper's making left the plains barren and white

I built bridges over something selling desire’s terrain

Bon Iver Press

Framed Works

studio progress

Surrounding my hands in the stain of warmth sinking

Emptied our seeing in the difficulty of our enjoyment Adjusted

Held within what hung open and made to lie without escape

MAD Gallery Install

Gregory Euclide : MAD Pre-Install

My bare foot adds the soft bridge to sky's repeating

what clouded my receiving hand is the way I own sensation

Work in Progress

Show Postcards/Press

Warmth gave rise to our falling

Giving It Back

Take it with you - Foothills Art Center Golden, CO

Holding Even What Was Absent in Stillness and Topography's Remainder

Normalizing demand's push

With your water falling over our new natural

Torn from the making of knowing’s vista square small

Museum of Arts and Design Progress

Studio

Real Natural and Unsustainable

Progress: Real, Natural and Unsustainable

Studio Work

Because There Is A There, Here Is Just Fine - Biennial Of The Americas

Bent back over the dome, a measure of involuntary stains leaving

Touch

Capture #14 (paint mine)

Because abundance emerged beneath the messy promise

Caution gathered paths around your bending

Spreading a thin valley through time lines and till lines

What softened clippers making left the plain barren and white

Emptied our seeing in the difficulty of our enjoyment

Spread on moment’s falling over the warm grid

David B. Smith Gallery - Gregory Euclide 2009

Capture #2

What eroded under the grid and became something more than sediment

Gregory Euclide | Press

SCOPE Miami 09

Silhouette eroded the name from boundary’s placeholder

tied to the predictable falling of view's measure

I was only the land because I liked the predictable stillness

Capture #12

I flattened whatever pushing made the valley tremble

Capture #11

Capture #13 (installation for David B. Smith Gallery)

Necessity bore the contour of our language

The ease in which absence advanced

Concerning what fiction dissolves in your top branches

Capture #8

Capture #9

Looming

Allowed to layer In the absence of lifting

Inside only became falling by the way rivers delivered places

Produced within the layers of viewing’s making

Following became my pooled stretch of karst

Progress Movies

DBSG Framed

Capture #6

Capture #4

Capture #1

Capture #3

Capture (study)

Held on history's material desire

Walking gave unraveling a plane to spill

Scoring a chorus in the crests that could not be owned

The harrow held stillness on the crest

In what mist had bloomed

Turned toward the making of moment's width

Negotiated on the aerial slope

New vista for tectonic softness

When folds made fields I was the marsh's footsteps through what I left behind

Recession Dwelling II

Recession Dwelling

The oranger side of oyster cluster's tiny pockets

Struggling swept canyons focus toward tangents

Groveland Gallery | New Landscapes

Groveland Gallery 09

Alphonse Berber Gallery

David B. Smith Gallery - Aqua Wynwood

Gregory Euclide @ Tacoma Contemporary

Augsburg College

Commission For Eaton Fine Arts Austin TX

Supercooling

Supercooling 2

2006

15 min. intervention Carpathians Ukraine

While the fissures filled long coffees and sinking rooftops

Ukraine | Hungary Trip

Budapest | Hungary II

Bakony | Hungary

New

Lake Balaton | Hungary

Budapest | Hungary

… Whose protection of the trough was selected scenes and sediment.

LAG Opening

Denver: Mt. Evans

Protected Landscapes

Always with the clarity of fires leaving your outline on the dome

Asleep on the rolling fold of your tweens and means

The struggle in subtle mixtures gave way to your treeline

Falling on schist from rows of growing plains

Resting on the plane of weather's knowing

Fog under what spinning made your view

Tear #40

Limited Addiction Gallery Installation

Tear #39

Tear #38

Tear #37

Tear #36

Tear #35

Tear #34

MPLS TO DEN

untitled

Tear #33

North Adams Mass.

Miss Rockaway Armada

MASS MoCA

Half of what moss held in the switchback

Self leveled underneath the way walls green

How often behind is looking for some new place to be

Untitled

Gregory Euclide MCAD MFA 08

Tear#32

Tear#31

Tear#30

Tear#29

Tear#28

Tear#27

Tear#26

Tear#25

Tear#24

Tear#23

Tear#22

Tear#21

Tear#20

Tear#19

Tear#18

Tear#17

Tear#16

Tear#15

Tear#14

Tear#13

Tear#12

Tear#11

Tear#10

Tear#9

Tear#8

Tear#7

Tear#5

Tear#4

Tear#3

Tear#2

Tear#1

Tears

Holding even what was absent in stillness and topography’s remainder

Bent back over the dome, a measure of involuntary stains leaving

Bird

White with the moment but after my while became a construction

mpls in the fog

Moving over the folds of what was more warm than hidden

Untitled

February - Nic. Is.

Fragments

What swept through was a fierce thing lamenting its grace

A new kind of quiet, warm in the air, bursting forth from the furrow

Something similar to waves inside but lower than breaking

Making a Cast Aluminum Frame

I Left the Door Open Because Blue Spoke on the Dirtiest Part of Calm

Because I Started Going and When I Stopped Coming Back I Could Make Places Take Naps

Powderhorn Park Late January

I am Exploiting the Land's Heat to Extend Your Lines Over a Collection of Weak Spots

Como

I Was 30 Feet in the Air When the Gray Floated Down All Around Me

Something More Than My Ribcage Because Several Treelines Are There

A White Plane of Light Pushing Forward Again.

I Was Only The Land Because I Liked the Predictable Stillness

Protected Landscape #2

Wisconsin

San Francisco Asian Art Museum

San Francisco December 2007

Monterey CA | set II

Monterey CA | set I

Cameras

December 11 2007

Inspire

New Works December 07

MPLS Monoliths

Recent Works

Bell History Museum

Aqua Art Miami - Bucheon Gallery

Drops

Gregory Euclide | Process

MCAD Whittier Gallery

Whidbey Island WA

Seattle, WA

New Work In Progress

From this distance series

gardens for office workers

Gregory Euclide @ BLK/MRKT

BLK/MRKT Install Documentation

Yard Forms

Greenway

Night Shots MPLS

Shootin the News

BLK/MRKT OPENING

BLKMRKT

BLK/MRKT

LA BLK/MRKT

LA LA Land

Winsted

Tao Lakes Zeno River

okok prep & show

Monoprints

Sheridan WY to MPLS MN

Idaho to Montana

Mineral CA to Jerome ID

LA to Mineral

LA - Malibu: Point Dume Beach

SLO to LA

SF to San Luis Obispo

SF 2

Oregon to SF

From Seattle To The Oregon Coast

Hi Spot Seattle

Seattle Random

Seattle Japanese Garden

okok gallery show

Day 8 Seattle

Day 7 From Ferndale to Seattle

Day 6 Pender Island BC

Day 5 Bellingham Wash. to BC

Day 4 Orondo Valley

Day 3 Cut Bank to Spokane

Day 2 Minot to Cut Bank Montana

Day 1 MPLS to Minot

Soo Line Community Gardens 2

Soo Line Community Gardens

Cresent Lake 2007

youthful ethnic celebration day 2007

midprogram review MCAD

Mid Program Review

big burn 2007

2007 art

BLK/MRKT OPENING

semester one | mfa | mcad

new work october 31 2006

spirit animals at dunn bros UM campus

walker art center event

North Shore Camping Trip

Time Lapse Development

The Flowers of 1316

alexandria

Eagle's Nest (nook)

metroman (sick)

2006 garden

artwork

sixpress details

six press prints

2006 Art Collection

As if muting the land was part of knowing

With what folded and meaning left later

If I was the river I was only projecting

Your boundaries are the calm I couldn’t own