gaia.streetart:
When @asaprocky s creative people deconstruct your crews art and then make a really shitty mural based off our work inside @empellon Al Pastor's ceiling. @layqanunayawar @nanookoso 😂😂😂😂😂😂😂😂😂😂😂😂
gaia.streetart:
File:Albert Bierstadt - Puget Sound on the Pacific Coast (1870).jpg Hand holding smartphone for @whotels and at the @bellevuecollection Manifest Destiny and the endless frontier
gaia.streetart:
Tear with rays on manubrium for @kharitheartist done in Baltimore
gaia.streetart:
Honesty. Painting a 55ft, 3 paneled staircase interior for the newest @whotels in #bellevuewa with assistance from my brother @nanookoso . Aside from a couple other sections this will be one of the few images visible until the scaffolding comes down.
gaia.streetart:
Painting in #Bellevue #Washington with @nanookoso for the @whotels newest location
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Theodor Herzl in a wreath of Anemone Coronaria and SEM images of the staphylococcus virus. Apart of a series exploring colonization and settler aspirations of nation for @urbannationberlin curated by @bkstreetart . Culture as infection will feature Brigh
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Portrait of the white working class in the typical of 19th century in the Midwest of the United Stares The words 'Automate' are written across the composition. How does the concept of whiteness transform when decoupled with its relationship to labor in th
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#SamuelMazzuchelli #Dominican #colonization
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@greenmountwest is coordinating a fundraiser for the center's programming. Each participating artist approaches the same classic mid century fiberglass chair. In this piece I have painted the Greenmount Cemetery and two properties on the same block, 408 a
gaia.streetart:
TONIGHT FREE 420 SHOW! GREENMOUNT LOUNGE @greenmount_lounge 1320 GREENMOUNT AVE between Oliver and Preston FREE / 21 + (WITH I.D.) VERY SPECIAL HOST: GAIA EU1OGY / SLUM PARADISE /PALMTREETOMMY / NATALIA FERRARI / SOVTHPAW / GHOSTHUSSY POSTER BY: DRO
gaia.streetart:
Settler Futurity Valley of the Names - 60 years of predominatly European individuals leaving their names or the names of deceased family members in rock formations throughout the desert in Imperial Valley. Unidentified peak in the background
gaia.streetart:
Quick piece before leaving #Yuma for Shirley and Kevin curated by @claudiaforet13 . 11 Colibrís and the mountains
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Collaboration with @mataruda and @lucinda_yrene in Yuma, AZ curated and organized by @claudiaforet13 . A jade comet streaks across a portrait of Santa Anna with the medallion associated with the Treaty of Guadalupe Hidalgo exchange copy. The Treaty of P
gaia.streetart:
FREE 420 SHOW! BALTIMORE PULL UP. GREENMOUNT LOUNGE 1320 GREENMOUNT AVE. FREE / 21 + (WITH I.D.) VERY SPECIAL HOST: GAIA EU1OGY / SLUM PARADISE /PALMTREETOMMY / NATALIA FERRARI / SOVTHPAW / GHOSTHUSSY POSTER BY: DROHAN DISANTO
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Yuma to produce two walls with @mataruda curated and organized by @claudiaforet3
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Yuma, pencil on Mylar, 50x60cm
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https://www.patronicity.com/project/o_festival_haverhill#/ Please consider donating in order to make this proposal a reality @opositivefest Thank you to @stew_artwatson for agreeing to model for the piece exploring the legacy of deindustrialization in #
gaia.streetart:
#whiteprivilege #genocide #frontier
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Poetics. The mural features the portraits of Jack Kerouac, renowned beat poet and provocateur, and Wilhelmina Johnson, prominent educator in Gainesville. These two seemingly unrelated figures are connected by the desire of the @grovestreetneighborhood Str
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Poetics. The mural features the portraits of Jack Kerouac, renowned beat poet and provocateur, and Wilhelmina Johnson, prominent educator in Gainesville. These two seemingly unrelated figures are connected by the desire of the Grove Street Community Garde
gaia.streetart:
'The Most Difficult Needle to Thread', 9ft x 12ft, mixed media on canvas. The portrait of Francis Scott Key, author of the star spangled banner, and the hands of two women who would see the original flag, Mary Pickersgill and her indentured servant Grace
gaia.streetart:
Detail of a commission for the new Sagamore @pendryhotels
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Untitled, collaboration with @pablomachioli behind the new maker space @open_works_bmore with assistance from @artist_will_brown . The piece features a color spectrum running through nine unfurling hands and a portrait of old industry, a blast furnace and
gaia.streetart:
Sparrows Point L Blast Furnace, erected 1978 and demolished on January 25, 2015, at 1:15pm. This symbol of Baltimore's heavy industrial past before restructuring and the rise of global competition to American steel, is painted on @open_works_bmore on Gree
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Progress with @pablomachioli with assistance from @artist_will_brown for @open_works_bmore . Tomorrow we go in with the aerosol and wrap up the right hand portion
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Progress with @pablomachioli and @artist_will_brown at @open_works_bmore
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Progress with @pablomachioli and @artist_will_brown for @open_works_bmore right in my hood
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Finally putting paint on the wall with @pablomachioli for @open_works_bmore after getting t boned by a car on my bike and four days straight of angle grinding to abate the anti graffiti coating previously applied.
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Working on the. Sick of open works for the next week. Angle grinding all of the @sherwinwilliams anti graffiti coat off the wall before we go in
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New York In Its Infancy, 1907, Phillip Martiny
