christine.sterne:
Chakras of the Subtle Body (detail), folio 2 from the Nath Charit. Attributed to Bulaki, 1823 (Samvat a
christine.sterne:
Chakras of the Subtle Body. Folio 2 from the Nath Charit. Attributed to Bulaki, 1823 (Samvat 1880); 122 x 46 cm Mehrangarh Museum Trust. âGlorious Nath Charit, Entered into the dholiya storeroomâ. Cartilage-piercing earrings, shoulder-length jata (dreadlo
christine.sterne:
Head chakras -
christine.sterne:
Chakras of the Subtle Body (detail), folio 2 from the Nath Charit. Attributed to Bulaki, 1823 (Samvat 1880); 46 x 122 cm. © Mehrangarh Museum Trust
christine.sterne:
Chakras of the Subtle Body. Folio 2 from the Nath Charit. Attributed to Bulaki, 1823 (Samvat 1880); 122 x 46 cm Mehrangarh Museum Trust. “Glorious Nath Charit, Entered into the dholiya storeroom”. Cartilage-piercing earrings, shoulder-length jata (dreadlo
christine.sterne:
Chakras of the Subtle Body. Folio 2 from the Nath Charit. Attributed to Bulaki, 1823 (Samvat 1880); 122 x 46 cm Mehrangarh Museum Trust. âGlorious Nath Charit, Entered into the dholiya storeroomâ. Cartilage-piercing earrings, shoulder-length jata (dreadlo
christine.sterne:
Chakras of the Subtle Body. Folio 2 from the Nath Charit. Attributed to Bulaki, 1823 (Samvat 1880); 122 x 46 cm Mehrangarh Museum Trust. âGlorious Nath Charit, Entered into the dholiya storeroomâ. Cartilage-piercing earrings, shoulder-length jata (dreadlo
christine.sterne:
Chakras of the Subtle Body 1823 © Mehrangarh Museum Trust
christine.sterne:
Chakras_of_the_Subtle_Body
christine.sterne:
Fig. 44b Chakras of the Subtle Body, folio 4 from the Siddha Siddhanta Paddhati. Jodhpur, 1824 (s. 1881), 122 x 46 cm. Mehrangarh Museum Trust, RJS 2376.
christine.sterne:
The Equivalence of Self and Universe. Folio 6 from the Siddha Siddahanta Paddhati. âThe Muslim Artistâ (Bulaki), 1824 (Samvat 1881) Opaque watercolour and gold on paper; 122 x 46 cm. Mehrangarh Museum Trust, RJS 2378. Numbered 6 on recto. Sri siddha siddh
christine.sterne:
The Equivalence of Self and Universe (detail), folio 6 from the Siddha Siddhanta Paddhati, 'The Muslim artist' (Bulaki), 1824 (Samvat 1881); 122 x 46 cm. © Mehrangarh Museum Trust
christine.sterne:
The Equivalence of Self and Universe. Folio 6 from the Siddha Siddahanta Paddhati. âThe Muslim Artistâ (Bulaki), 1824 (Samvat 1881) Opaque watercolour and gold on paper; 122 x 46 cm. Mehrangarh Museum Trust, RJS 2378. Numbered 6 on recto. Sri siddha siddh
christine.sterne:
Scan4
christine.sterne:
The Equivalence of Self and Universe. Folio 6 from the Siddha Siddahanta Paddhati. “The Muslim Artist” (Bulaki), 1824 (Samvat 1881) Opaque watercolour and gold on paper; 122 x 46 cm. Mehrangarh Museum Trust, RJS 2378. Numbered 6 on recto. Sri siddha siddh
christine.sterne:
The Equivalence of Self and Universe folio 6 from the Siddha Siddhanta Paddhati, 'The Muslim artist' (Bulaki), 1824 (Samvat 1881); 122 x 46 cm. © Mehrangarh Museum Trust - The exhibition “Garden and Cosmos: The Royal Paintings of Jodhpur” was a
christine.sterne:
The Equivalence of Self and Universe. Folio 6 from the Siddha Siddahanta Paddhati. âThe Muslim Artistâ (Bulaki), 1824 (Samvat 1881) Opaque watercolour and gold on paper; 122 x 46 cm. Mehrangarh Museum Trust, RJS 2378. Numbered 6 on recto. Sri siddha siddh
christine.sterne:
64 Diagrams of Newar Yogic Six-Chakra Transformation, Nepal, Ca. 1850 Watercolor on paper, H: 84 in. (213.4 cm). Bhaktapur National Museum, Nepal. -- While strikingly different in appearance to the previous Yogic Meditation diagram, this painting none
christine.sterne:
64 Diagrams of Newar Yogic Six-Chakra Transformation, Nepal, Ca. 1850 Watercolor on paper, H: 84 in. (213.4 cm). Bhaktapur National Museum, Nepal. -- While strikingly different in appearance to the previous Yogic Meditation diagram, this painting none
christine.sterne:
64 Diagrams of Newar Yogic Six-Chakra Transformation, Nepal, Ca. 1850 Watercolor on paper, H: 84 in. (213.4 cm). Bhaktapur National Museum, Nepal. -- While strikingly different in appearance to the previous Yogic Meditation diagram, this painting none
christine.sterne:
64 Diagrams of Newar Yogic Six-Chakra Transformation, Nepal, Ca. 1850 Watercolor on paper, H: 84 in. (213.4 cm). Bhaktapur National Museum, Nepal. -- While strikingly different in appearance to the previous Yogic Meditation diagram, this painting none
christine.sterne:
64 Diagrams of Newar Yogic Six-Chakra Transformation, Nepal, Ca. 1850 Watercolor on paper, H: 84 in. (213.4 cm). Bhaktapur National Museum, Nepal. -- While strikingly different in appearance to the previous Yogic Meditation diagram, this painting none
christine.sterne:
Subtle System
christine.sterne:
The Subtle body and the cosmic man, Nepal 1600's - The subtle body and the cosmic man Nepal, 1600s National Museum, New Delhi. Ajit Mookerjee Collection Date 16th century Source http://www.artgallery.nsw.gov.au/sub/goddess/education.html Permission (Reus
christine.sterne:
Ankh model of the chakras system is presented in the form of sacral or spiritual symbols of ancient India and Egypt. Such known elements as ida, pingala, sushumna and 7 main chakras are presented in this model. Date Source Own work Author Shatilov Ko
christine.sterne:
Ankh model of chakras system. It is a photo of a real design. Some elements are made from metals: aluminum, copper, brass, iron, zinc, and cupronickel. Elements in the shape of spheres are established from color glass, stone, ceramics, amber, turquoise, c
christine.sterne:
The Ankh shape meaning the chakras system. The main 7 chakras are merged into one energy system in the shape of the Ankh. There are some additional chakras, such as Tantric chakras of the head (Kameswara Kameshwari and others of the Soma Chakra) are prese
christine.sterne:
Chakras Nepal
christine.sterne:
Chakras Nepal
christine.sterne:
Brow Chakra Rajasthan 18th Century Date 18th century Source Rajastan India
