Mr Jon Kane:
Back to Film. For the first time in many years I loaded a roll of film in my long lost Nikon FM2. Using JCH Streetpan 400, an old Nikkor 85mm F2 and a 50mm f1.8 - that chewy grain and the contrast on this stock are an almost tactile quality!
Mr Jon Kane:
Back to Film. For the first time in many years I loaded a roll of film in my long lost Nikon FM2. Using JCH Streetpan 400, an old Nikkor 85mm F2 and a 50mm f1.8 - that chewy grain and the contrast on this stock are an almost tactile quality!
Mr Jon Kane:
Back to Film. For the first time in many years I loaded a roll of film in my long lost Nikon FM2. Using JCH Streetpan 400, an old Nikkor 85mm F2 and a 50mm f1.8 - that chewy grain and the contrast on this stock are an almost tactile quality!
Mr Jon Kane:
Back to Film. For the first time in many years I loaded a roll of film in my long lost Nikon FM2. Using JCH Streetpan 400, an old Nikkor 85mm F2 and a 50mm f1.8 - that chewy grain and the contrast on this stock are an almost tactile quality!
Mr Jon Kane:
Back to Film. For the first time in many years I loaded a roll of film in my long lost Nikon FM2. Using JCH Streetpan 400, an old Nikkor 85mm F2 and a 50mm f1.8 - that chewy grain and the contrast on this stock are an almost tactile quality!
Mr Jon Kane:
Back to Film. For the first time in many years I loaded a roll of film in my long lost Nikon FM2. Using JCH Streetpan 400, an old Nikkor 85mm F2 and a 50mm f1.8 - that chewy grain and the contrast on this stock are an almost tactile quality!
Mr Jon Kane:
Back to Film. For the first time in many years I loaded a roll of film in my long lost Nikon FM2. Using JCH Streetpan 400, an old Nikkor 85mm F2 and a 50mm f1.8 - that chewy grain and the contrast on this stock are an almost tactile quality!
Mr Jon Kane:
Back to Film. For the first time in many years I loaded a roll of film in my long lost Nikon FM2. Using JCH Streetpan 400, an old Nikkor 85mm F2 and a 50mm f1.8 - that chewy grain and the contrast on this stock are an almost tactile quality!
Mr Jon Kane:
Back to Film. For the first time in many years I loaded a roll of film in my long lost Nikon FM2. Using JCH Streetpan 400, an old Nikkor 85mm F2 and a 50mm f1.8 - that chewy grain and the contrast on this stock are an almost tactile quality!
Mr Jon Kane:
Back to Film. For the first time in many years I loaded a roll of film in my long lost Nikon FM2. Using JCH Streetpan 400, an old Nikkor 85mm F2 and a 50mm f1.8 - that chewy grain and the contrast on this stock are an almost tactile quality!
Mr Jon Kane:
Back to Film. For the first time in many years I loaded a roll of film in my long lost Nikon FM2. Using JCH Streetpan 400, an old Nikkor 85mm F2 and a 50mm f1.8 - that chewy grain and the contrast on this stock are an almost tactile quality!
Mr Jon Kane:
Back to Film. For the first time in many years I loaded a roll of film in my long lost Nikon FM2. Using JCH Streetpan 400, an old Nikkor 85mm F2 and a 50mm f1.8 - that chewy grain and the contrast on this stock are an almost tactile quality!
Mr Jon Kane:
Back to Film. For the first time in many years I loaded a roll of film in my long lost Nikon FM2. Using JCH Streetpan 400, an old Nikkor 85mm F2 and a 50mm f1.8 - that chewy grain and the contrast on this stock are an almost tactile quality!
Mr Jon Kane:
Back to Film. For the first time in many years I loaded a roll of film in my long lost Nikon FM2. Using JCH Streetpan 400, an old Nikkor 85mm F2 and a 50mm f1.8 - that chewy grain and the contrast on this stock are an almost tactile quality!