runningafterantelope: "Style and Culture", page 185
runningafterantelope: Figures 8.11/3-4 Hand face design
runningafterantelope: From double mata hoata to ipu; Tapa mask with ipu 'eyes'.
runningafterantelope: Figure 8.12/1, page 186
runningafterantelope: Janus-faced image, Northwest American Indian art (Lévi Strauss)
runningafterantelope: From Eyes to Lizard: stylistic derivation. Fig. 8.13/2, page 189
runningafterantelope: Figure 8.13/1. Page 188.
runningafterantelope: Pages 182-183
runningafterantelope: Pages 184-185
runningafterantelope: Pages 186-187
runningafterantelope: Pages 188-189
runningafterantelope: Style and Culture, Pages 194-195
runningafterantelope: Pages 180-181
runningafterantelope: Figures 8.10/3-4, page 181
runningafterantelope: Figures 8.10/1-4, page 181
runningafterantelope: Badora's Leg Tattoos. Figures 8.10/1-2, page 181
runningafterantelope: Pages 178-179
runningafterantelope: Kea (tortoise) female tattoo motifs recorded by Steinen. Figure 8.9/5, page 179
runningafterantelope: Chiefess's girdle with type 3 'kake' Figure 8.9-4, page 178
runningafterantelope: Pages 176-177
runningafterantelope: Figure 8.8/3, page 176.
runningafterantelope: Figure 8.9/3, page 177.
runningafterantelope: Pages 174-75
runningafterantelope: From Hope Vehine to Vai O Kena. Figure 8.8, page 174.
runningafterantelope: Pages 172-73
runningafterantelope: Plane rotation of 'etua', Fig 8.7/2
runningafterantelope: Pages 170-171
runningafterantelope: Figure 8.7, page 171