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rbrazile: D71_3691, Pouring off the fresh albumen
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rbrazile: D71_3695, Iodizing the albumen
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rbrazile: D71_3699, Making a template to find the plate center
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rbrazile: D71_3701, Centering template
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rbrazile: D71_3703, Glass polishing
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rbrazile: D71_3707, Old school polishing
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rbrazile: D71_3713, Placing the double stick tape
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rbrazile: D71_3714, Mounting the plate on the spinner
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rbrazile: D71_3717, Mounted plate I
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rbrazile: D71_3718, Mounted plate II
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rbrazile: D71_3722, Pouring a plate
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rbrazile: D71_3723, Spreading the albumen on the plate
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rbrazile: D71_3727, Spinning the plate
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rbrazile: D71_3729, Drying the plate
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rbrazile: D71_3730, Preparing the silver bath
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rbrazile: D71_3734, Sensitizing the plate
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rbrazile: D71_3740, Exposing the plate
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rbrazile: D71_3746, Developing the plate
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rbrazile: DFEN7720, Workshop group
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rbrazile: DXVJ9788, Sample negatives for use, positives produced
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rbrazile: IMG_4250, First sample
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rbrazile: IMG_4251, Classwork
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rbrazile: IMG_4252, Viewing originals in the archive
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rbrazile: IMG_4253, Hand-tinted salt print from albumen negative
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rbrazile: IMG_4254, Salt print from albumen negative