Nick Sherman:
Multi-Brylski
Nick Sherman:
Brylski print
Nick Sherman:
Brylski on press
Nick Sherman:
Freshly cut Brylski
Nick Sherman:
Brylski on press
Nick Sherman:
Bernice Schwahert at the pantograph
Nick Sherman:
Norb & Me
Nick Sherman:
Norb & Me
Nick Sherman:
Norb & Brylski
Nick Sherman:
Brylski sorts, untrimmed
Nick Sherman:
My giant wood type at the InterContinental hotel
Nick Sherman:
Prototype block of Brylski
Nick Sherman:
Prototype block of Brylski
Nick Sherman:
Dave cleaning up the details of the type with a custom-made trimming knife.
Nick Sherman:
Dave punching the accute interior angles of the type with customized metal dies.
Nick Sherman:
Dave breaking the edge of the type with a file.
Nick Sherman:
Norb & Me
Nick Sherman:
Jim & Norb
Nick Sherman:
Norb filing down irregularities in my scrollsaw-cut letter.
Nick Sherman:
Norb at the pantograph
Nick Sherman:
18-line (3 inches from baseline to cap height) pattern set up on the pantograph to cut a 12-line piece of type
Nick Sherman:
Norb squaring my scrollsaw-cut letter on a wooden base.
Nick Sherman:
Norb fastening my scrollsaw-cut letter to a wooden base.
Nick Sherman:
Norb explaining to me his concept for a new typeface called "Half & Half Not"
Nick Sherman:
Letter cut out with a scroll saw.
Nick Sherman:
36-line (6 inches from baseline to cap height) digital glyph printout
Nick Sherman:
"This is my eraser."
Nick Sherman:
"I usually tweak the letters people give me to cut. I even changed Matthew Carter's designs."
Nick Sherman:
"You gotta make sure to keep the right hefts."
Nick Sherman:
Brylski as wood type