Hans Ollermann:
On my way to the Museum Prinsenhof Delft for the Pieter de Hooch exhibition (01).
Hans Ollermann:
On my way to the Museum Prinsenhof Delft for the Pieter de Hooch exhibition (02) ©Hans Ollermann
Hans Ollermann:
On my way to the Museum Prinsenhof Delft for the Pieter de Hooch exhibition 03
Hans Ollermann:
PIETER DE HOOCH (ca.1648-1684) – Self-portrait. Rijksmuseum, Amsterdam. Exhibition Museum Prinsenhof Delft
Hans Ollermann:
PIETER DE HOOCH (1629-c.1684) – A Woman and Child in a Bleaching Ground, detail 02 (c.1657-1659). Rothschild Collection, Waddesdon Manor
Hans Ollermann:
PIETER DE HOOCH (1629-c.1684) – A Woman and Child in a Bleaching Ground, detail (c.1657-1659). Rothschild Collection, Waddesdon Manor, Buckinghamshire
Hans Ollermann:
PIETER DE HOOCH (ca.1648-1684) –A Mother Delousing Her Child’s Hair (c. 1660-1661). Rijksmuseum Amsterdam. Exhibition Museum Prinsenhof Delft
Hans Ollermann:
PIETER DE HOOCH (1629-c.1684) - A Woman Weighing Gold and Silver Coins (c. 1664). Gemäldegalerie Staatliche Museen zu Berlin. Exhibition Museum Prinsenhof Delft
Hans Ollermann:
PIETER DE HOOCH (1629-c.1684) - A ourtyard in Delft at Evening with a Woman Spinning (c. 1657). Lent by gracious permission of Her Majesty Queen Elizabeth II
Hans Ollermann:
PIETER DE HOOCH (ca.1648-1684) –Cardplayers in a Sunlit Room (1658), detail. Lent by gracious permission of Her Majesty Queen Elizabeth II
Hans Ollermann:
PIETER DE HOOCH (ca.1629-1684) –Cardplayers in a Sunlit Room (1658), detail 2. Lent by gracious permission of Her Majesty Queen Elizabeth II
Hans Ollermann:
PIETER DE HOOCH (ca.1629-1684) –Cardplayers in a Sunlit Room (1658), detail 4. Lent by gracious permission of Her Majesty Queen Elizabeth II
Hans Ollermann:
PIETER DE HOOCH (ca.1629-1684) –Cardplayers in a Sunlit Room (1658), detail 3. Lent by gracious permission of Her Majesty Queen Elizabeth II
Hans Ollermann:
PIETER DE HOOCH (1629-1684) – Card Players in a Sunlit Room (1658). Royal Collection, London ©Hans Ollermann.
Hans Ollermann:
PIETER DE HOOCH (ca.1629-1684) –The Empty Glass (c. 1650-1655). Museum Boymans Van Beuningen, Rotterdam
Hans Ollermann:
PIETER DE HOOCH (ca.1629-1684) –The Courtyard of a House in Delft (c. 1650-1655), detail. The National Gallery, London.
Hans Ollermann:
PIETER DE HOOCH (ca.1629-1684) –Portrait of a Delft Family (c. 1657), detail. Gemäldegalerie der Akademie der Bildenden Künste, Vienna
Hans Ollermann:
PIETER DE HOOCH (ca.1629-1684) –A Dutch Courtyard (c. 1658-1660), detail 2. National Gallery of Art, Washington.
Hans Ollermann:
PIETER DE HOOCH (ca.1629-1684) –A Dutch Courtyard (c. 1658-1660), detail. National Gallery of Art, Washington
Hans Ollermann:
PIETER DE HOOCH (ca.1629-1684) –A Woman with a Bucket in a Courtyard (c. 1660). Staatliche Kunsthalle Karlsruhe.
Hans Ollermann:
PIETER DE HOOCH (ca.1629-1684) –Woman with a Basket of Beans in a Kitchen Garden, detail (c. 1660). Kunstmuseum Basel.
Hans Ollermann:
PIETER DE HOOCH (ca.1629-1684) –Woman with a Basket of Beans in a Kitchen Garden, detail 2 (c. 1660). Kunstmuseum Basel
Hans Ollermann:
2008_0920_163110AA Cleveland-Hooch-
Hans Ollermann:
PIETER DE HOOCH (1629-1677) – A Mother’s Care, 1673. The Pushkin State Museum of Fine Arts, Moscow, Russia ©Hans Ollermann 2016
Hans Ollermann:
Hamburger Kunsthalle
Hans Ollermann:
2010_0907_180641AA METROPOLITAN MUSEUM OF ART- DE HOOCH
Hans Ollermann:
2010_0907_180646AA METROPOLITAN MUSEUM OF ART- DE HOOCH
Hans Ollermann:
2004_0916_130852AA Pieter de Hooch, Hermitage
Hans Ollermann:
2008_0920_163106AA Cleveland-Hooch-
Hans Ollermann:
My collections reorganised, January 5, 2015
