Martin Pettitt: First roll of Harman Phoenix 200 colour film. I shot at box speed, the negatives looked very underexposed.
Martin Pettitt: First roll of Harman Phoenix 200 colour film. I shot at box speed, the negatives looked very underexposed.
Martin Pettitt: First roll of Harman Phoenix 200 colour film. I shot at box speed, the negatives looked very underexposed.
Martin Pettitt: First roll of Harman Phoenix 200 colour film. I shot at box speed, the negatives looked very underexposed.
Martin Pettitt: First roll of Harman Phoenix 200 colour film. I shot at box speed, the negatives looked very underexposed.
Martin Pettitt: First roll of Harman Phoenix 200 colour film. I shot at box speed, the negatives looked very underexposed.
Martin Pettitt: First roll of Harman Phoenix 200 colour film. I shot at box speed, the negatives looked very underexposed.
Martin Pettitt: First roll of Harman Phoenix 200 colour film. I shot at box speed, the negatives looked very underexposed.
Martin Pettitt: First roll of Harman Phoenix 200 colour film. I shot at box speed, the negatives looked very underexposed.
Martin Pettitt: First roll of Harman Phoenix 200 colour film. I shot at box speed, the negatives looked very underexposed.
Martin Pettitt: First roll of Harman Phoenix 200 colour film. I shot at box speed, the negatives looked very underexposed.
Martin Pettitt: First roll of Harman Phoenix 200 colour film. I shot at box speed, the negatives looked very underexposed.
Martin Pettitt: First roll of Harman Phoenix 200 colour film. I shot at box speed, the negatives looked very underexposed.
Martin Pettitt: First roll of Harman Phoenix 200 colour film. I shot at box speed, the negatives looked very underexposed.
Martin Pettitt: First roll of Harman Phoenix 200 colour film. I shot at box speed, the negatives looked very underexposed.
Martin Pettitt: First roll of Harman Phoenix 200 colour film. I shot at box speed, the negatives looked very underexposed.
Martin Pettitt: First roll of Harman Phoenix 200 colour film. I shot at box speed, the negatives looked very underexposed.
Martin Pettitt: First roll of Harman Phoenix 200 colour film. I shot at box speed, the negatives looked very underexposed.
Martin Pettitt: First roll of Harman Phoenix 200 colour film. I shot at box speed, the negatives looked very underexposed.
Martin Pettitt: First roll of Harman Phoenix 200 colour film. I shot at box speed, the negatives looked very underexposed.
Martin Pettitt: First roll of Harman Phoenix 200 colour film. I shot at box speed, the negatives looked very underexposed.
Martin Pettitt: First roll of Harman Phoenix 200 colour film. I shot at box speed, the negatives looked very underexposed.
Martin Pettitt: First roll of Harman Phoenix 200 colour film. I shot at box speed, the negatives looked very underexposed.
Martin Pettitt: First roll of Harman Phoenix 200 colour film. I shot at box speed, the negatives looked very underexposed.
Martin Pettitt: First roll of Harman Phoenix 200 colour film. I shot at box speed, the negatives looked very underexposed.
Martin Pettitt: First roll of Harman Phoenix 200 colour film. I shot at box speed, the negatives looked very underexposed.
Martin Pettitt: First roll of Harman Phoenix 200 colour film. I shot at box speed, the negatives looked very underexposed.
Martin Pettitt: First roll of Harman Phoenix 200 colour film. I shot at box speed, the negatives looked very underexposed.
Martin Pettitt: First roll of Harman Phoenix 200 colour film. I shot at box speed, the negatives looked very underexposed.
Martin Pettitt: First roll of Harman Phoenix 200 colour film. I shot at box speed, the negatives looked very underexposed.