Gabriel Rifilato: The Strange Case of Doctor Bou-Doir
Gabriel Rifilato: Scene 32: the Making of "In the Golden Days"
Gabriel Rifilato: Presence and Essence - When I approach something to photograph it, first I'm still with myself until the object of my attention affirms its presence. Then I don't leave until I have captured its essence (Minor White)
Gabriel Rifilato: "Ill wind, blow away - Let me rest today - You're blowin' me no good" (Duke Ellington)
Gabriel Rifilato: Scene 33: the Making of "In the Golden Days"
Gabriel Rifilato: The Japanese Garden
Gabriel Rifilato: Alessandro While Shooting
Gabriel Rifilato: Riccardo While Shooting
Gabriel Rifilato: Sara While Shooting
Gabriel Rifilato: Stunts of Liana Orfei's Golden Circus
Gabriel Rifilato: The Glass Door at Villa Mazzanti
Gabriel Rifilato: Taking Pictures at the Hare Krishna Temple
Gabriel Rifilato: Cecco Cecchini's Atelier: Shooting
Gabriel Rifilato: Cecco Cecchini's Atelier: Paintings
Gabriel Rifilato: Cecco Cecchini's Atelier: Outside
Gabriel Rifilato: Virgy While Shooting
Gabriel Rifilato: Scene 3: the Making of "In the Golden Days"
Gabriel Rifilato: Silvana and Her Daughter Reading Text Messages
Gabriel Rifilato: Portrait with Mirror and Sony
Gabriel Rifilato: Enrico, Mauro, Lirio and Silvia at Work
Gabriel Rifilato: Virgy, Alessandro and Paulo While Shooting
Gabriel Rifilato: Scene 4: the Making of "In the Golden Days"
Gabriel Rifilato: Silvia Watching a Sculpture
Gabriel Rifilato: Alessandro and Sabrina Before Shooting
Gabriel Rifilato: Val di Chiana: Yard of S. Maria Belverde Monastery
Gabriel Rifilato: Val di Chiana: Sitting at the Bar in Cetona
Gabriel Rifilato: Val di Chiana: In the Wood of Belverde
Gabriel Rifilato: Val di Chiana: The Mountain of Fighine at Dawn
Gabriel Rifilato: Val di Chiana: Chatting at the Lake of Montepulciano
Gabriel Rifilato: Val di Chiana: Locanda Toscanini Restaurant