KLGreenNYC:
Brandywine River, from the museum lobby
KLGreenNYC:
the assembled multitudes
KLGreenNYC:
wood beams in the gallery
KLGreenNYC:
"The Woman in Business" (1897), by Alice Barber Stephens
KLGreenNYC:
Love that "T"
KLGreenNYC:
brick and wood
KLGreenNYC:
N.C. Wyeth's living room
KLGreenNYC:
piano and lamp with stamped-tin shade
KLGreenNYC:
glassware in the dining room
KLGreenNYC:
a puzzle from a western trip
KLGreenNYC:
there's a sphinx on that Singer
KLGreenNYC:
the master bedroom
KLGreenNYC:
under the sewing machine
KLGreenNYC:
teddy bear
KLGreenNYC:
prop guns, in N.C.'s studio
KLGreenNYC:
studio window
KLGreenNYC:
that bottle shows up in a lot of Wyeth paintings
KLGreenNYC:
in the main room of the studio, with a painting of William Penn
KLGreenNYC:
birch bark canoe
KLGreenNYC:
N.C. Wyeth's palette, preserved intact by his widow from the day of his tragic death onward
KLGreenNYC:
more props
KLGreenNYC:
William Penn
KLGreenNYC:
self-portraits and prop boats
KLGreenNYC:
that dusty bottle
KLGreenNYC:
lantern slides and brushes
KLGreenNYC:
wooden shutters
KLGreenNYC:
statues and shutters
KLGreenNYC:
Still life with Fruit on Tabletop (ca. 1825), James Peale
KLGreenNYC:
Cotan's Chicken Stew (2010), by Scott Fraser (oil on copper)
KLGreenNYC:
"Night Sleeper" by Andrew Wyeth
