kendradrischler:
bent cross
kendradrischler:
graffiti and distant olive trees
kendradrischler:
a narrow street during the siesta
kendradrischler:
Mats called it "the mother ship"
kendradrischler:
traffic post
kendradrischler:
outdoor furniture
kendradrischler:
a fountain in disrepair
kendradrischler:
steps under construction
kendradrischler:
foot-operated public fountain
kendradrischler:
doors to nowhere
kendradrischler:
Mats and an abandoned house
kendradrischler:
power lines, flowers fake and real
kendradrischler:
graffiti in a white wall
kendradrischler:
vertical shadows
kendradrischler:
Rocío and father enter the church
kendradrischler:
during the ceremony
kendradrischler:
musicians after ceremony
kendradrischler:
bag of rice
kendradrischler:
bride and groom and her parents
kendradrischler:
groom's parents
kendradrischler:
bride and groom
kendradrischler:
sisters
kendradrischler:
woman smoking outside the church door
kendradrischler:
view from the church door
kendradrischler:
José Maria and Rocío under fire
kendradrischler:
Rocío and José Maria on their way
kendradrischler:
inevitable us-at-wedding shot
kendradrischler:
posing outside the cathedral
kendradrischler:
Mats and his "twin"
kendradrischler:
Mats at the reception