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It’s in part to the pure horizontality and other classicizing features of facades like that of the Palais Toerring-Jettenbach, as seen from across the Max-Joseph-Platz, that we owe the bizarre expression ‘Munich is where Italy starts.’
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2D to 3D. Two pediments, two techniques. One art form.
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The strict geometry of the capital of Ludwig I and Maximilian II. A view from the entrance to the Konigsbau block of the Residebz into the precise spot where the historically transformational Maximilianstrasse begins, the SE corner of Max-Joseph-Platz. T
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Munich’s winter palette.
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Regal Munich. From the entrance to the Konigsbau part of the Redidenz to Palais Toerring-Jettenbach across Max-Joseph-Platz, the monument to Konig Maximilian I von Bayern in the center.
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