Nick Sherman:
Belgravia No. 1 & Belgravia No. 2
Nick Sherman:
Helvetica type specimen poster [side 2 of 2]
Nick Sherman:
Helvetica type specimen poster [side 1 of 2]
Nick Sherman:
Linotype Claritas
Nick Sherman:
Olympian (1970)
Depression Press:
Type Specimen Book for Red Roses Press
Depression Press:
Hamilton Large Wood Type
Nick Sherman:
Sizes under 6 point [3 of 3]: Ionic, Egyptian Extended, Univers Light, Univers Medium, Universe Bold, Univers Light Condensed, Univers Medium Condensed, Univers Bold Condensed, Grotesque Light, Grotesque, Grotesque Bold
Nick Sherman:
Sizes under 6 point [2 of 3]: Times New Roman, Times Bold, Influx Bold, Modern Wide, Clarendon
Nick Sherman:
Sizes under 6 point [1 of 3]: Angelus, Bembo Semi-bold, Fontana Bible Face, Goudy Catalogue, Laudian Old Style, Old Style Bold, Perpetua, Plantin, Scotch Roman
Nick Sherman:
Spartan Extra Black
Nick Sherman:
Spartan Black Condensed Italic
Nick Sherman:
Spartan Black Condensed
Nick Sherman:
Spartan Black Italic
Nick Sherman:
Spartan Black
Nick Sherman:
Spartan Heavy Italic
Nick Sherman:
Spartan Heavy
Nick Sherman:
Spartan Medium Italic
Nick Sherman:
Spartan Medium Condensed
Nick Sherman:
Spartan Medium
Nick Sherman:
Spartan Book
Nick Sherman:
12 Point Ideal News with Italic and Small Caps
Nick Sherman:
12 Point Ideal News with Bold
Nick Sherman:
“MAXIMUS – Linotype’s remarkable new classified ad. face”
crackdog:
American Type Founders catalog samples 1901
crackdog:
American Type Founders catalog samples 1901
Nick Sherman:
The embodiment of a 1970s design studio: cigarette burns, coffee stains, Avant Garde Gothic
Nick Sherman:
Less-than-Ideal Doric
Nick Sherman:
Stempel showcasing Nazi propaganda in their type specimen booklet for the Tannenberg font family, circa 1935
