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©
gnommi
:
Photopolymer etching experiments
©
gnommi
:
First couple of attempts at woodcuts
©
gnommi
:
"Myiagros" waiting to be editioned
©
gnommi
:
Myiagros drying
©
gnommi
:
Mayans chine colle experiment
©
gnommi
:
Trichius drypoint on Fabriano Rosaspina Avorio
©
gnommi
:
Skull: drypoint
©
gnommi
:
Varnished plate
©
gnommi
:
Proof of plate at the line-only stage
©
gnommi
:
Drawing transferred onto plate
©
gnommi
:
Final print: burnt umber
©
gnommi
:
Final print: black, sepia and red
©
gnommi
:
Final etching plate
©
gnommi
:
Bradda (small green and sepia)
©
gnommi
:
Bradda (Large green and sepia)
©
gnommi
:
Bradda (full colour)
©
gnommi
:
Bradda (cobalt/orange/yellow)
©
gnommi
:
Bradda (cobalt/umber)
©
gnommi
:
Bradda (cobalt/umber)
©
gnommi
:
Ilkley Moor #1
©
gnommi
:
Ilkley Moor #2
©
gnommi
:
Ilkley Moor #3
©
gnommi
:
Ilkley Moor series
©
gnommi
:
mayan glyphs: 2 layer linocut
©
gnommi
:
mayan glyph linocut, proofing
©
gnommi
:
Trichius (Monochrome Drypoint)
©
gnommi
:
Hand coloured Eudicella linocut
©
gnommi
:
M. nintendi var. gigantor
©
gnommi
:
M. nintendi var. wunup
©
gnommi
:
Third stage block ready for printing
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