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Milano Design Week 2019: Design Collisions
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Phil Cleaver: Playing with Type at the Type Archive
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City Poems & City Music: Adrian Henri & Friends, Whitechapel Gallery, 2019
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Gustavo Ferrari: Fileteado Porteño Evening Class
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Who’s Afraid of Drawing? Works on Paper from the Ramo Collection (2019)
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What Design Can Do, Mexico City, 2019
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MMNYC_2019
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: MagMagMag NYC pop-up shop
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The World Illustration Awards Exhibition
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Schaukelwagen (“Rocking Car”), design: Hans Brockhage, manufacturer: Siegfried Lenz, Berggießhübel bei Pirna, 1950
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Culture Is Not Always Popular
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Paul Scher: The Art of Map Design
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Walid Raad, I want to be able to welcome my father to my house_July 31-5,1989. 1990/2018. Pigmented inkjet print, 50 x 64,6 cm. Courtesy the artist & Sfeir-Semler Gallery Hamburg / Beirut
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EYE_9815846
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Illustration by Caspar Wain
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Długa Street, Krakow, 1962, from the series taken by Wojciech Zamecznik for Polnische Plakatkunst (Econ, 1962), though not used in the book. Image courtesy Fundacja Archeologia Fotografii, Warsaw.
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Spread from Polnische Plakatkunst showing posters by Zamecznik and his photograph of the SOS Titanic poster on public display. Image courtesy Fundacja Archeologia Fotografii, Warsaw.
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Warsaw, 1958. Photograph by Zamecznik. Image courtesy Fundacja Archeologia Fotografii, Warsaw.
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Długa Street, Krakow, 1962, from the series taken by Wojciech Zamecznik for Polnische Plakatkunst (Econ, 1962), though not used in the book. Image courtesy Fundacja Archeologia Fotografii, Warsaw.
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Kramer with Design Canada director Greg Durrell.
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Kramer with Design Canada director Greg Durrell.
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Heather Cooper talks about her designs for clothing company Roots in Design Canada. ‘You’re trying to get to the public on an emotional level ... A beaver – Canadian, hardworking – seemed like the obvious thing.’
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The committee of fifteen MPs assembled to decide on a flag for Canada in 1964, shown in Design Canada.
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EYE98
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Lowlands Festival programme cover, 2018.
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A typographic memorial in Tugelaweg, Amsterdam, 2016, laser cut into a 350m long steel fence. Photo: Cassander Eeftinck Schattenkerk. Design: Hansje van Halem.
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Wind typeface, published by Typotheque in 2018.
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Detail from an endpaper pattern, 2010. Since 2009 Hansje van Halem has collaborated with publisher and printer Uitgeverij De Buitenkant, for whom she designs endpapers.
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Decorative installations, screens and shades at the Lowlands Festival, 2018. Photo: Cassander Eeftinck Schattenkerk.
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Lowlands Festival programme cover, 2018.
