Eye magazine:
Custom Painting No. 3, oil on canvas, 1965, by British Pop Artist Peter Phillips, whose graphic montages were a key early influence on Saville and Garrett.
Eye magazine:
With the first Factory poster, designed in 1978 and delivered notoriously late, Saville’s work took a leap forward into a tightly focused industrial aesthetic.
Eye magazine:
The front cover of the Buzzcocks’ single ‘Love You More’ / ‘Noise Annoys’, 1978, Garrett, as illustrator, drew on a book about amateur photography, showing how to light subjects, and Space in the Home (see Eye no. 31 vol. 8), an HMSO booklet for architect
Eye magazine:
Poster by Garrett advertising the Buzzcocks’ single ‘What Do I Get?’, 1978.
Eye magazine:
Malcolm Garrett cover for the Buzzcocks’ Orgasm Addict, 1977, using fellow student Linder’s collage.
Eye magazine:
Saville applied the same noise protection theme and minimal layout to the first Factory release, A Factory Sample, two seven-inch EPs with tracks by Joy Division, Durutti Column, John Dowie and Cabaret Voltaire, 1978.
Eye magazine:
Saville asked architect Ben Kelly, a friend and regular collaborator, to draw an architectural section to illustrate Section 25’s ‘Girls Don’t Count’ single, Factory, 1980.
Eye magazine:
Album cover, with Green, for Cupid & Psyche 85, Virgin, 1985. The gold foil blocking of the title forms a luxurious, slightly decadent contrast with torn edges, taped elements and delicate painting, and with the franking mark that carries the band name on
Eye magazine:
Twelve-inch single sleeve for ‘The Word Girl’, Virgin, 1985.
Eye magazine:
Custom Painting No. 3, oil on canvas, 1965, by British Pop Artist Peter Phillips, whose graphic montages were a key early influence on Saville and Garrett.
Eye magazine:
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