Dale Simonson: Neil shows us the film positive
Dale Simonson: Examining the film positive
Dale Simonson: Emulsion applied to screen
Dale Simonson: Film positives
Dale Simonson: Film positives on light table
Dale Simonson: Final screenprinted image
Dale Simonson: Washing out the unexposed portions of the stencil
Dale Simonson: Screenprinting inks
Dale Simonson: Screenprinting inks at mixing station
Dale Simonson: Laying down the first colour
Dale Simonson: The screen on press
Dale Simonson: Large format screenprinting press
Dale Simonson: The final colour is applied
Dale Simonson: Finished signs coming out of the drying end of the press
Dale Simonson: Screenprinting four-colour halftone
Dale Simonson: CNC-controlled router is used to cut out custom shapes for point-of-purchase display materials
Dale Simonson: Neil answers all Landon's questions
Dale Simonson: Stencils for the Olympics ski-run fences
Dale Simonson: Close-up of an Olympics sponsor in-store promotion
Dale Simonson: Cody holds one of components in production
Dale Simonson: "Daylight temperature" colour-viewing station
Dale Simonson: Discussing proofing methods
Dale Simonson: Ink draw-downs
Dale Simonson: On the press
Dale Simonson: 40,000 copies
Dale Simonson: Viewbook press sheet
Dale Simonson: Susan shows us a Viewbook sheet
Dale Simonson: Les gives us tips on file prep and prepress
Dale Simonson: Examining flexo plates and proofs
Dale Simonson: Critical registration is the main concern when mounting the plates