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A17 vs 572D vs 100-300 APO(D) by CD's Pit
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©
CD's Pit
:
300mm, 1/400, f5.6 ;Minolta 100-300 APO(D)
©
CD's Pit
:
300mm, 1/400, f5.6 ;Tamron 572D
©
CD's Pit
:
300mm, 1/400, f5.6 ;Tamron A17
©
CD's Pit
:
300mm, 1/200, f8 ;Minolta 100-300 APO(D)
©
CD's Pit
:
300mm, 1/200, f8 ;Tamron 572D
©
CD's Pit
:
300mm, 1/200, f8 ;Tamron A17
©
CD's Pit
:
200mm, 1/500, f5.6 ;Minolta 200G
©
CD's Pit
:
200mm, 1/250, f8 ;Minolta 200G
©
CD's Pit
:
200mm, 1/1250, f2.8 ;Minolta 200G
©
CD's Pit
:
200mm, 1/500, f5.6 ;Minolta 100-300 APO(D)
©
CD's Pit
:
200mm, 1/500, f5.6 ;Tamron 572D
©
CD's Pit
:
200mm, 1/500, f5.6 ;Tamron A17
©
CD's Pit
:
200mm, 1/250, f8 ;Minolta 100-300 APO(D)
©
CD's Pit
:
200mm, 1/250, f8 ;Tamron 572D
©
CD's Pit
:
200mm, 1/250, f8 ;Tamron A17
©
CD's Pit
:
100mm, 1/320, f8 ;Minolta 100-300 APO(D)
©
CD's Pit
:
100mm, 1/320, f8 ;Tamron 572D
©
CD's Pit
:
100mm, 1/320, f8 ;Tamron A17
©
CD's Pit
:
100mm, 1/1000, f4.5 ;Minolta 100-300 APO(D)
©
CD's Pit
:
100mm, 1/1000, f4.5 ;Tamron 572D
©
CD's Pit
:
100mm, 1/1000, f4.5 ;Tamron A17