Ed Koren: Seriously Funny by Brattleboro Museum & Art Center ● portfotolio

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Brattleboro Museum & Art Center: Ed Koren, "The reason you all are becoming extinct is that you can't take a joke." (1977), pen and India ink on bond paper, 18 3/4 x 24 inches, The New Yorker (cover) April 18, 1977

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Brattleboro Museum & Art Center: Ed Koren, "What did they give you—National Landmark or Historical Monument" (1971), pen and India ink on bond paper, 18 7/8 x 24 inches, The New Yorker, June 12, 1971

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Brattleboro Museum & Art Center: Ed Koren, "Your father and I want to explain why we've decided to live apart" (1995), pen and India ink on BFK Rives paper, 21 x 25 1/2 inches, The New Yorker, February 6, 1995

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Brattleboro Museum & Art Center: Ed Koren, "And on my right is Joe Nast, representing an opposing viewpoint" (1982), pen and India ink on Arches paper, 22 1/4 x 28 5/8 inches, The New Yorker, August 8, 1983

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Brattleboro Museum & Art Center: Ed Koren, "Chickens on Bikes" (1987), pen and India ink with watercolor on Arches paper, 25 x 18 5/8 inches, The New Yorker (cover), June 15, 1987

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Brattleboro Museum & Art Center: Ed Koren, "Great for worship then! Great for detail now!" (1999), pen and India ink on BFK Rives paper, 21 x 22 1/2 inches, The New Yorker, September 20, 1999

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Brattleboro Museum & Art Center: Ed Koren, "I detect a little laxity in your flossing" (1991), pen and India ink on BFK Rives paper, 20 7/8 x 25 1/4 inches, The New Yorker, December 9, 1991

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Brattleboro Museum & Art Center: Ed Koren, "Interested? Lets Make a Deal" (1981), pen and India ink on Arches paper, 29 5/8 x 20 3/4 inches, The New York, June 1, 1981

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Brattleboro Museum & Art Center: Ed Koren, "I've done my tour of duty on Wall Street" (1992), pen and India ink on BFK Rives paper, 22 1/8 x 30 inches, The New Yorker, November 2, 1992

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Brattleboro Museum & Art Center: Ed Koren, "Men Drinking Coffee" (1984), pen and India ink on BFK Rives paper, 22 3/8 x 29 1/2 inches, The New Yorker, April 16, 1984

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Brattleboro Museum & Art Center: Ed Koren, "Noah's Ark" (1975), pen and India ink on bond paper, 18 1/2 x 24 inches, The New Yorker, November 24, 1975

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Brattleboro Museum & Art Center: Ed Koren, "Our goal is to modernize it but retain the historical flavor" (1987), pen and India ink on BFK Rives paper, 22 1/8 x 29 inches, The New Yorker, April 20, 1987

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Brattleboro Museum & Art Center: Ed Koren, "The message here is 'Hydrate, hydrate, hydrate!'" (2007), pen and India ink on BFK Rives paper, 21 x 25 5/8 inches, The New Yorker, April 20, 2009

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Brattleboro Museum & Art Center: Ed Koren, "The Most Unkindest Cut" (1991), pen and India ink with watercolor and colored pencil on BFK Rives paper, 26 5/8 x 20 7/8 inches, The New Yorker, July 19, 1993

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