Amie Oliver:
Family Photo, 1981
Amie Oliver:
Surrounded by vintage wisteria, now long gone. Memorial Drive, Cleveland, Ms. silver print by BG Kelly
Amie Oliver:
Seeing this now is just as surreal as the image. During the summer of 1981 I was a lifeguard and also took my first Black and white photography course. Recently a friend came across my silver print in the 1981 Best of College Photography Annual. Stranger
Amie Oliver:
Bienville Gallery, New Orleans, La
Amie Oliver:
“Artifacts series: Sisters,” acrylic painting on paper collage and canvas, mounted on 42 x 36 irregular shaped styrofoam, 1997ish
Amie Oliver:
Oberfalzer Kunstlerhaus
Amie Oliver:
Amie Oliver, 1987 a digital capture of a 35mm chrome slide or a graphite and mixed media drawing
Amie Oliver:
Amie Oliver, Artefacts Series, 1990s
Amie Oliver:
Amie Oliver, “Life is short, art is long,” 1988 or so.
Amie Oliver:
Amie Oliver, “Artefact Series: Love and Honor,” mixed media, 1995 ish
Amie Oliver:
Shot at Grand Canyon with a timer during 1st cross country road trip in 1982. I read Keroac’s “On the Road” that summer. This silver print was created from a negative shot with a Pentax K-1000
Amie Oliver:
Belle Epoch: Paris in 1994. photo by Goxwa
Amie Oliver:
Marcel and I sleeping in on a snow day. 1983 Silver print photograph by Brian G. Kelly
Amie Oliver:
wonder years 24: January 1961: Probably Choctaw County
Amie Oliver:
There was once a Mademoiselle who experienced a belle epoch on the Seine
Amie Oliver:
Amie Oliver, “Aphrodite under the Tree of Knowledge” late 90’s or early oughts. Acrylic and collage on mulberry paper, 37 x 50 inches
Amie Oliver:
Amie Oliver, Mudflap Venus, 1999 or so, mixed media
Amie Oliver:
In the beginning… well, my best art life… there was styrofoam, with an essay by William C. Woods
Amie Oliver:
Back cover of “Artefacts” a 1994 exhibition of work by Amie Oliver featuring an essay by William Crawford Woods.