americanartmuseum:
Thomas Hart Benton: Planting (Spring Plowing), 1939
americanartmuseum:
John Steuart Curry: Our Good Earth, 1942
americanartmuseum:
Joe Jones: Men and Wheat (mural study, Seneca, Kansas Post Office), 1939
americanartmuseum:
James E. Allen: Prayer for Rain, 1938
americanartmuseum:
Alexandre Hogue: Dust Bowl, 1933
americanartmuseum:
John Steuart Curry: Ajax, 1936-37
americanartmuseum:
Ethel Edwards: Afternoon on a Texas Ranch (mural study, Lampassas, Texas Post Office), 1939
americanartmuseum:
Ralston Crawford: Buffalo Grain Elevators, 1937
americanartmuseum:
Earle Richardson: Employment of Negroes in Agriculture, 1934
americanartmuseum:
William H. Johnson: Early Morning Work, 1940
americanartmuseum:
1991.122.2
americanartmuseum:
Marion Post Wolcott: Barn and silos on rich farmland. Bucks County, Pennsylvania, 1939
americanartmuseum:
Marion Post Wolcott: Black Workers, 1938
americanartmuseum:
Marion Post Wolcott: A Woman from New Jersey Picking Beans, Hampers are heavy and must be Moved Along as One Picks, 1939
americanartmuseum:
Edward Millman: Flop House, 1937
americanartmuseum:
Mervin Jules: Dispossessed, 1938
americanartmuseum:
Howard Taft Lorenz: Dismissal, 1940
americanartmuseum:
Barbara Stevenson: Apple Vendor, 1933-1934
americanartmuseum:
Mitchell Siporin: Back o' the Yards #3, 1937
americanartmuseum:
James N. Rosenberg: Dies Irae (Oct 29), 1929
americanartmuseum:
Clare Leighton: Bread Line, New York, 1932
americanartmuseum:
Marion Post Wolcott: Couple Carrying Home Groceries, Kerosene on Horseback. Kentucky Mountains, 1940
americanartmuseum:
O. Louis Guglielmi: Relief Blues, 1938
americanartmuseum:
John Groth: Sacking of Hooverville, 1930
americanartmuseum:
Marion Post Wolcott: Child in Doorway of Shack of Migrant Pickers and Packing House Workers, near Belle Glade, Florida, 1939
americanartmuseum:
Marion Post Wolcott: Farmers Sleeping in a "white" camp room in a warehouse. They often must remain several days before their tobacco is sold. Durham, North Carolina, 1939
americanartmuseum:
27-0640a
americanartmuseum:
Marion Post Wolcott: Migrant family from Missouri camping out in cane brush. One woman said, "We ain't never lived like hogs before, but we sure does now." Canal Point, Florida, 1939
americanartmuseum:
27-0637a
americanartmuseum:
Austin Mecklem: Engine House and Bunkers, 1934
