Adam Twardoch:
ę matrix at the Plantin-Moretus museum, Antwerpen, Belgium
Adam Twardoch:
ę punch at the Plantin-Moretus museum, Antwerpen, Belgium
Adam Twardoch:
A book of alphabets for Douglas Cleverdon drawn by Eric Gill
Adam Twardoch:
A book of alphabets for Douglas Cleverdon drawn by Eric Gill
Adam Twardoch:
A book of alphabets for Douglas Cleverdon drawn by Eric Gill
Adam Twardoch:
A book of alphabets for Douglas Cleverdon drawn by Eric Gill
Adam Twardoch:
A book of alphabets for Douglas Cleverdon drawn by Eric Gill
Adam Twardoch:
A book of alphabets for Douglas Cleverdon drawn by Eric Gill
Adam Twardoch:
Full character set of the “empik Pro” custom typeface by Łukasz Dziedzic
Adam Twardoch:
Sample text set in the “empik Pro” custom typeface by Łukasz Dziedzic
Adam Twardoch:
Sample use of the “empik Pro” custom typeface by Łukasz Dziedzic
Adam Twardoch:
High-resolution sample of the “empik Pro” custom typeface by Łukasz Dziedzic
Adam Twardoch:
2007-05-07 DE Berlin - Uppercase eszett
Adam Twardoch:
ę (Latin “e caudata”) in Claude Garamond’s Gros Canon typeface, ca. 1530 — used as an alternative graphical form for the Latin vowel “æ”
Adam Twardoch:
ę, ą and other Polish diacritics as seen in the typeface referred to as “Antiqua romani paragnon de Garamond”, shown in Jan Januszowski’s specimen, Cracow, 1590s
Adam Twardoch:
ę, ą and other Polish diacritics as seen in Jan Januszowski’s typeface Nowy karakter polski, Cracow, 1594
Adam Twardoch:
Mixing FF Good, FF More, FF Meta, FF Meta Serif
Adam Twardoch:
How to render a Planet of the Apes poster using Łukasz Dziedzic's typefaces