leiris202:
hERBERT bAYER, Ernst Kraus Glasmaler Weimar, aUSTRia (Weimar), 1924 (Collection W Michael Sheehe, NY)
leiris202:
Anonynmous, Cause Le SurrEalism (a Surrealist association), France (Paris) 1940s DETAIL
leiris202:
E McKnight Kauffer, Lumium Limited, London, 1935 (Collection Cooper-Hewitt, Nat. Design Museum, Smithsonian Institution)
leiris202:
Josef Peeters, Het Overzicht, Belgium (Antwerp), 1923
leiris202:
Herbert Bayer, bauhaus, Germany (Dessau), 1927
leiris202:
Joost Schmidt, Das Bauhaus in Dessau, Germany (Dessau), 1925-26 POSTCARD
leiris202:
Kurt Schwitters, Merz Werbezentrale, Germany (Hanover), 1924 ENVELOPE
leiris202:
Piet Zwart, Wij Nu Experimenteel Tooneel, (The Hague), 1925
leiris202:
Thon De Does, Reclame Ontwerper, Netherlands (Rotterdam), 1930
leiris202:
Theo Van Doesburg, De Stijl NB, Netherlands (The Hague and Leiden), 1920 POSTCARD
leiris202:
Piet Zwart, Laga-Compangnie, Letterhead, Netherlands (The Hague), 1922
leiris202:
El Lissitzky, Vesc-Object-Gegenstand, Berlin, 1922 (from the collection of Hans Berndt, Germany)
leiris202:
FT Martinetti, Drawing by Giacomo Ball, Letterpress, Movimento Futurista, Rome 1939
leiris202:
Bruno Munari, Mazzotti, Italy 1934
leiris202:
Fortunato Depero, Depero, Italy (Trentino), c1927 (Collection Getty Center...)
leiris202:
Anonymous, Fernando Cervelli, Rome, 1932 (Collection Getty Center for the History of Arts and the Humanities, Santa Monica)
leiris202:
Tristan Tzara, MoUvEmEnT DADA, Paris c1918
leiris202:
Johannes Baader and Raoul Hausmann, Postcard, Club Dada, Berlin, c1919
leiris202:
Benjamin PEret, France (Paris) (Collection W Michael Sheehe, New York)
leiris202:
Anonynmous, Cause Le SurrEalism (a Surrealist association), France (Paris) 1940s
leiris202:
Alexander Rodchenko, Dobrolet State Merchant Air Service, USSR (Moscow), 1923
leiris202:
El Lissitzky, USSR (Moscow) 1924