Zea Mays Printmaking:
outside the studio
Zea Mays Printmaking:
preparing the plate
Zea Mays Printmaking:
filing the edges
Zea Mays Printmaking:
drawing on the plate
Zea Mays Printmaking:
drawing on the copper
Zea Mays Printmaking:
degreasing the plate with soy sauce
Zea Mays Printmaking:
degreasing the plate with soy sauce
Zea Mays Printmaking:
rolling on the BIG for softground
Zea Mays Printmaking:
rolling on the BIG for softground
Zea Mays Printmaking:
filling in small dings
Zea Mays Printmaking:
preparing the plate for drawing
Zea Mays Printmaking:
the soft ground process
Zea Mays Printmaking:
inking up an etched plate
Zea Mays Printmaking:
laying on more textures
Zea Mays Printmaking:
textures through newsprint
Zea Mays Printmaking:
removing the textures from the ground
Zea Mays Printmaking:
removing the textures
Zea Mays Printmaking:
etching in a vertical tank of ferric chloride
Zea Mays Printmaking:
inking the etched plate
Zea Mays Printmaking:
inking
Zea Mays Printmaking:
spit bite preparation
Zea Mays Printmaking:
Louise demonstrating the spit bite process
Zea Mays Printmaking:
ferric chloride on the aquatinted plate
Zea Mays Printmaking:
ferric working
Zea Mays Printmaking:
everyone trying it out
Zea Mays Printmaking:
spit bite
Zea Mays Printmaking:
the plate etching
Zea Mays Printmaking:
rinsing the spit bite plate
Zea Mays Printmaking:
rinsing
Zea Mays Printmaking:
printing
