Zea Mays Printmaking:
Reduction Linocut by Susan Jaworski-Stranc
Zea Mays Printmaking:
Susan explaining the process
Zea Mays Printmaking:
Making the registration jig
Zea Mays Printmaking:
preparing the paper
Zea Mays Printmaking:
preparing the paper
Zea Mays Printmaking:
the jig and paper ready to go
Zea Mays Printmaking:
showing a blended roll for a background
Zea Mays Printmaking:
applying the second color for the blended roll
Zea Mays Printmaking:
ink on the plate
Zea Mays Printmaking:
blending the two colors
Zea Mays Printmaking:
printing with a wooden spoon
Zea Mays Printmaking:
showing the blended image
Zea Mays Printmaking:
using a mask
Zea Mays Printmaking:
revealing the masked area
Zea Mays Printmaking:
stenciled area on block
Zea Mays Printmaking:
printing with a baren
Zea Mays Printmaking:
transfer drawing with a card
Zea Mays Printmaking:
diagram for cutting
Zea Mays Printmaking:
mixing color
Zea Mays Printmaking:
prints in progress
Zea Mays Printmaking:
carving away more of the block
Zea Mays Printmaking:
print in progress
Zea Mays Printmaking:
print in progress
Zea Mays Printmaking:
print in progress
Zea Mays Printmaking:
coming together
Zea Mays Printmaking:
carved block
Zea Mays Printmaking:
ink palettes
Zea Mays Printmaking:
block with stencil
Zea Mays Printmaking:
prints in progress
Zea Mays Printmaking:
carving
