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Louis Jacques Mandé Daguerre, View of the Boulevard du Temple, Paris, 1838, daguerreotype (Bayerisches Nationalmuseum, Munich, Germany)
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Hippolyte Bayard: Self-Portrait as a Drowned Man, 1840 (Direct Positive Print)
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William Henry Fox Talbot, The Open Door, 1844, salt print from calotype neg, National Museum of Photography, Film & Television (Great Britain)
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Augustus Washington, American (1820-1875). John Brown, ca. 1846-1847. Quarter plate daguerreotype, 4 x 3-3/16 inches, The Nelson-Atkins Museum of Art
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Nadar, Self-Portrait, 1855, salt print
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Gustav Le Gray, An Effect of the Sun, Normandy, c. 1856, albumen print from wet collodion neg (combination print), The Cleveland Museum of Art
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Francis Frith, Fallen Colossus, c.1858, Albumen print from wet collodion negative
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André-Adolphe-Eugène Disdéri, Untitled (Portrait of a gentleman), Uncut print from a Carte de Visite negative, 1860
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Oscar Rejlander, Hard Times, ca. 1860, albumen print (double exposure), 13.9 x 19.9 cm. (Rochester, NY: George Eastman House)
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Louis Pierson, Countess de Castiglione, c. 1860, albumen print (Metropolitan Museum of Art, NY)
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Viscountess Clementina Hawarden, 'Photographic Study' Portrait of the photographer's daughter, albumen print from wet collodion-on-glass negative, ca. 1860s, Victoria & Albert Museum, London
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Anonymous, Three unidentified soldiers in Union uniforms, ca. 1861 - 1865, quarter-plate tintype, hand-colored, 11.9 x 9.4 cm (case), Library of Congress
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Alexander Gardner, Home of a Rebel Sharpshooter, Gettysburg, 1863, (Plate 41 of 'Gardner's sketch book'), (George Eastman House)
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Julia Margaret Cameron, Mrs. Herbert Duckworth as Julia Jackson, 1865-66, albumen print (George Eastman House)
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Eadweard Muybridge, "Animal Locomotion," Plate 153 from "Animal Locomotion. An Electro-Photographic Investigation of Consecutive Phases of Animal Movements," collotype, 1872 - 1885, 14.8 x 44.4 cm (image); 48 x 60.3 cm (sheet), Fine Arts Museums of San Fr
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Timothy O'Sullivan, Ancient ruins in the Cañon de Chelle, N.M., in a niche 50 feet above present cañon bed, 1873, albumen print, 27.5 x 20.2 cm. (image), 50.8 x 40.6 cm. (mount)
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Charles Marville, Avenue de l'Opéra, 1877, albumen print, courtesy of Editions du Mécène
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Carleton Watkins, The Three Brothers, 4,480 feet, 1879-1881, stereograph, albumen print, ca. 1879 (George Eastman House)
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Gertrude Käsebier, The Manger, 1899, platinum print 12 13/16 x 9 5/8″ (32.5 x 24.4 cm), (The Museum of Modern Art, New York)
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Alfred Stieglitz, The Hand of Man (Long Island City, NY), 1902, photogravure, 8 3/4 in. x 6 5/8 in. (Colby College Museum of Art). Published in _Camera Work_ No. 1 (January 1903)
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Edward Steichen, The Flatiron, 1904 (printed 1909), Gum Bichromate over platinum, 47.8 x 38.4 cm (18 13/16 x 15 1/8 in.) (The Metropolitan Museum of Art)
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Lewis Wickes Hine, Little Spinner in a Carolina Cotton Mill, 1908, gelatin silver print, 26.7x34.3cm
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Anton Giulio Bragaglia, Change of Position, 1911, Gelatin silver print 12.8 x 17.9 cm (5 1/16 x 7 1/16 in.) The Metropolitan Museum of Art, Gilman Collection
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Alvin Langdon Coburn, "The Octopus, New York, 1912," 1912, platinum print, 42.3 x 32.2 cm (Rochester, NY: George Eastman House)
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Man Ray, Rayograph (Gun with Alphabet Stencil), 1924, Gelatin silver print, 11 5/8 x 9 1/4 in. (Getty Center)
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Eugene Atget, Avenue des Gobelins, 1925, gelatin silver print, George Eastman House
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Tina Modotti, Workers Parade, 1926, Gelatin silver print, 8 7/16 x 7 5/16" Given anonymously (Museum of Modern Art)
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Karl Blossfeldt, Aesculus parviflora (magnified 12 times), American Horse Chesnut, Plate 13 of Urformen der Kunst (Art Forms of Nature), Photogravure, printed in 1928.
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Florence Henri, Self-Portrait, 1928, gelatin silver print
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László Moholy-Nagy, Radio Tower Berlin, 1928, gelatin silver print, National Gallery of Art, Washington
