Fitchburg Art Museum:
Gayle C. Heney and Ron Zeheb's interpretation of Ken Davies, "Mid-Winter," 1969
Fitchburg Art Museum:
Leah McLean's interpretation of Aiden Lassell Ripley, "Coat Room," 1938
Fitchburg Art Museum:
Julie Palioca's interpretation of Yasumasa Morimura, "An Inner Dialogue with Frida Kahlo (Flower, Wreath, and Tears)," 2001
Fitchburg Art Museum:
Julie Palioca's interpretation of Charles Jac Young, "Wayside Cottage," n.d.
Fitchburg Art Museum:
Leah McClean's interpretation of Winslow Homer, "Winter—A Skating Scene," 1868
Fitchburg Art Museum:
Carolyn Quirk's interpretation of Zaydee Harris Dejonge, "Nature Morte," 1938
Fitchburg Art Museum:
Julie Palioca's interpretation of Thomas Hicks, "The Marriage of Saint Catherine" (copy of Corregio), 1849
Fitchburg Art Museum:
Kathy Foster's interpretation of Yasumasa Morimura, "An Inner Dialogue with Frida Kahlo (Flower, Wreath, and Tears)," 2001
Fitchburg Art Museum:
Jan Heney's interpretation of Abraham Walkowitz, "Study of the Dancer Isaodora Duncan," c. 1908-1917
Fitchburg Art Museum:
Maxwell Zaleski's interpretation of Sokari Douglas Camp, "Drummers," 1987
Fitchburg Art Museum:
Robert Clark's interpretation of Winslow Homer, "Winter—A Skating Scene," 1868
Fitchburg Art Museum:
Leticia Schiavitti's (Laurelwood Garden Club) interpretation of Theodore Robinson, “Spray of Holly,” 1888