Fitchburg Art Museum:
Georgia O'Keeffe, "Untitled (Pink Camellia)," 1935, pastel on paper. Gift of Margaret Simonds Sinon, 1992.1 / Georgia O'Keeffe, "Sin Título (Camilia rosada)," 1935, pastel sobre papel. Regalo de Margaret Simonds Sinon, 1992.1
Fitchburg Art Museum:
MOST CREATIVE CONTAINTER: Maxwell Zaleski's interpretation of Douglas Kornfeld's "Thurston," 2015
Fitchburg Art Museum:
MOST CREATIVE CONTAINER (Honorable Mention): Martha Wakefield's interpretation of Winslow Homer's "On the Beach: Two are Company, Three are None," 1872
Fitchburg Art Museum:
BEST USE OF FOUND OBJECTS: Victoria Brier's interpretation of Julie K. Gray's "Postmortem: Margaret," 2019
Fitchburg Art Museum:
BEST USE OF FOUND OBJECTS (Honorable Mention): Patricia Geraghty's interpretation of Douglas Kornfeld's "Thurston," 2015
Fitchburg Art Museum:
BEST USE OF NATURE: Sue Cunio Salem's interpretation of Winslow Homer's "Waiting for a Bite," 1874
Fitchburg Art Museum:
BEST USE OF NATURE (Honorable Mention): Patricia Geraghty's interpretation of Rose Marasco's "Diaries" (detail), 1994–2000
Fitchburg Art Museum:
MOST ILLUSIONISTIC: Maxwell Zaleski's interpretation of Anne Lilly's "To Be," 2016
Fitchburg Art Museum:
MOST ILLUSIONISTIC (Honorable Mention): Leah MacLean's interpretation of Julie K. Gray's "Postmortem: Margaret," 2019
Fitchburg Art Museum:
MOST INVENTIVE MATERIALS: Julie Palioca's interpretation of Jo Sandman's "Serpent 1," 2012–2014
Fitchburg Art Museum:
MOST INVENTIVE MATERIALS (Honorable Mention): Linda Clicquennoi's interpretation of an unknown Papuan artist's "Night Mask" (kavat), 20th century
Fitchburg Art Museum:
BEST COMPOSITION: Cynthia Robinson's interpretation of Winslow Homer's "Waiting for a Bite," 1874
Fitchburg Art Museum:
BEST COMPOSITION (Honorable Mention): Maxwell Zaleski's interpretation of Winslow Homer's "Waiting for a Bite," 1874
Fitchburg Art Museum:
MOST HUMOROUS: Jane Fulton Suri's interpretation of Scott Prior's "Sunflowers at Sunrise," 2015
Fitchburg Art Museum:
MOST HUMOROUS (Honorable Mention): Patricia Geraghty's interpretation of Jo Sandman's "Serpent 1," 2012–2014
Fitchburg Art Museum:
BEST USE OF COLOR: Carolyn Quirk's interpretation of Maria Molteni's "Bough House / Bauhaus," 2019–2020
Fitchburg Art Museum:
BEST USE OF COLOR (Honorable Mention): Jenny Adams' interpretation of Allison Maria Rodriguez's "In the Presence of Absence—Rose & Matthew" (video still), 2017–2020