alainloss: Traditional bamboo huts near Asananggre
alainloss: Rain-soaked Meghalaya is lush green
alainloss: Bamboo house near Tura
alainloss: Snack vendor in his corrugated and bamboo hut
alainloss: Village near Tura
alainloss: Building a bamboo house
alainloss: Young Garo couple
alainloss: Garo boy
alainloss: Where bamboo exists, no worry (Garo saying)
alainloss: Garo enjoying their street breakfast in Tura
alainloss: Sitting on the fence
alainloss: In a matrilineal system where women have a dominant role men put on a brave face
alainloss: Troupe presentation
alainloss: Each troupe is led by a Nokma (village headman) bearing a dagger and a shield
alainloss: Women dance moving their feet to the rhythmic beat of drums
alainloss: The oblong drums are made of wood and the membranes and chords of cow leather
alainloss: Nokma leading his troupe of dancers and drummers
alainloss: Young spectators in awe
alainloss: Troupe of drummers and dancers led by the Nokma (head of clan)
alainloss: The post harvest festival of the Garo attracts a big crowd
alainloss: Aspiring dancers
alainloss: Troupe of drummers and dancers waiting for their turn
alainloss: Dancer and drummers dressed in their traditional finery
alainloss: Garo are overwhelmingly Christians courtesy of European missionaries in the 19th century
alainloss: Troupe of dancers with their feathered headgears
alainloss: During the Rugala ritual, rice beer and cooked rice are offered to Misi Saljong (the Sun God) for blessing the Garo with a good Harvest
alainloss: During the Rugala ritual a rice beer is given in offering to Misi Saljong (Sun God)
alainloss: A Nokma (head of clan) holding a Garo dagger and a shield
alainloss: Men carry long drums strapped to their waists
alainloss: Garo dancer wearing a silver necklace