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Page 255 - Figure 9.6/3 - The Maori meeting house as an object distributed in space and time
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The Involution of The Index - The heirarchy of embeddedness of agent-patient relationships - Page 55 - Figure 4.3/2
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The Involution of The Index: The multiple levels of agency within the index. Figure 4.3/1, page 54
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The Self-Made Index
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The Art Nexus and The Index
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Table I - The Art Nexus
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Map of Dinka, Nuer, Shilluk, Anuak
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Diagram No. III
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Evans-Pritchard - Diagram No. II - Segmentary Opposition
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Formal Variation
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Figure 3: Variation in the Scale of Cultural Processes
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Kinds of "Processes"
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Fig 6
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Figure 6.2/3, page 92-93
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Kahi Hanaupe
peterme:
Stylistic Sequence Diagram
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Alfred Gell - The Triple Analogy / Articulatory Landscapes of the Umeda [large version]
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Marquesan tattooing (rear), by Von de Steinen, in Alfred Gell (1999), "The Art of Anthropology: Essays and Diagrams."
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Positioning a 'self' and a stance - (Schiffrin 2006), page 211
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Frames of 'self' and 'other' in narrative
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What we knew - (Schiffrin 2006), fig. 6.6
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Speech Functions - (Schiffrin 2006)
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Reframing experience in the story world - (Schiffrin 2006)
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Kroeber's comparison of evolutionary models: Biological evolution (branching) and Cultural evolution (reticulate)
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Greg Urban (1992) - A Discourse-Centered Approach to Culture
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Foucault Flakes
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A Model of 'Face-Work' Based on Goffman's Hypothesis
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Figure 2.C.1 The Turn-taking System
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Fairclough (1995) - Dimensions of discourse analysis
